Gallery by Stephen Wright...
Archive - October 2015
A great Liebeslieder is like a short story, a complete world in fifty minutes of dancing; this Liebeslieder is still a work in progress.
We all reminisce about the good old days; but, if you’re old enough, you may actually remember "The Good Old Days"...
For twelve years, the Fall for Dance festival has been going strong, and one can see why. No other dance series offer such an expansive, egalitarian and uncomplicated glimpse of what’s going on in dance...
It’s not your granddaughter’s Cinderella. Alexei Ratmansky’s version dispenses with tutus and glass carriages in favor of a deco-cum?post-Soviet point of view.
Nobody surpasses New York City Ballet in sleekness and urbanity. The company is like a glistening skyscraper: sharp-edged, diamantine and, sometimes, a little cold...
To think of Batsheva - The Young Ensemble as a second company is to represent inaccurately the power of this group as interpreters of Ohad Naharin’s movement.
Cornejo is a splendid actor, as well as partner, but Ferri’s anguish is the tortured heart of the piece. Clarke has enabled her to be her age, a mature woman with a still-youthful body and ever- passionate emotions...
While other Cherkaoui collaborations have generally crossed boundaries to link contemporary movement with the borrowed style, in Genesis there appears to be a multiplicity of influences.