This month Jarkko blogs about a big change in what he does...
Archive - March 2016
Gallery by Foteini Christofilopoulou...
Gallery by Foteini Christofilopoulou...
★★★✰✰ Every gala needs a revelation, and this one was provided by Sergio Bernal, a Spanish dancer who dominated the stage in an imperious farruca solo from Antonio’s flamenco version of The Three Cornered Hat...
★★★✰✰ If the thought of getting out of your chair during a performance alarms you, Pepa Ubera’s The Palest Light is not the show for you.
★★✰✰✰ Far from being immortal, this production suffers from an acute identity crisis. I can’t recall another performance that has veered from so good to so awful...
★★★✰✰ The first of two mixed programs that New York City Ballet presented at the Kennedy Center Opera House in March offered a wide variety of works...
★★★✰✰ Flamenco is a difficult category to put your finger on these days; there are about as many approaches as there are dancers. But Joaquín Grilo is fairly old-school...
★★★★✰ Even without Khan’s charismatic presence Kaash is a fiercely physical and engrossing hour in the theatre...
★★★✰✰ It would be hard to find two more diverse works on the one program than those in CounterMove, the first program for 2016 from Sydney Dance Company.
Gallery by Foteini Christofilopoulou...
★★★✰✰ All the pieces on the program were united by a common thread – the athleticism, authority and technical prowess of the company’s dancers...
★★★★✰ Flamenco singer Esperanza Fernández is the real deal, brought up in a family of flamenco artists in Seville’s famous Triana neighbourhood. Her voice is extraordinary...