January 2019
Araminta Wraith and Luke Schaufuss in Cinderella.© Rimbaud Patron. (Click image for larger version)

Scottish Ballet – Cinderella – Glasgow

★★★★✰   This is my second review of Scottish Ballet’s Cinderella this winter. Why? Well, it’s a production I like and I wanted to see more dancers in it, silly!

Gonzalo Garcia in Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

★★★★✰   Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.

Ryan T. Smith and Aaron Perlstein in Brilliant Alarm.© Hillary Goidell. (Click image for larger version)

RAWdance – Brilliant Alarm, 14, Roar – San Francisco

★★★★✰   Celebration was definitely in the air on Thursday night. Not only was RAWdance opening a new winter program, including two world premieres, but the evening also marked the local gem’s fifteenth anniversary…

Tiler Peck, Indiana Woodward, Brittany Pollack and Taylor Stanley in George Balanchine's Apollo.© Erin Baiano. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

★★★★✰   There has been a generational shift at New York City Ballet, that much was clear last night in a program of Stravinsky ballets that included two major débuts and several smaller ones…

Alessandra Ferri and Herman Cornejo.© Nicolay Krusser. (Click image for larger version)

Alessandra Ferri, Herman Cornejo and Bruce Levingston – TRIO ConcertDance – London

★★★★✰   A harmonious blending of music and dance, it proved seventy-five minutes of non-stop bliss!

Alicia Delgadillo, Andrew Murdock, Florian Lochner and Ana Lopez in William Forsythe's N.N.N.N..© Todd Rosenberg. (Click image for larger version)

Hubbard Street Dance Chicago – Jardí Tancat, N.N.N.N., Lickety-Split, Grace Engine – San Francisco

★★★★✰   I only wish Hubbard Street’s Berkeley run could have been longer than three performances, and based on the audience’s cheers and applause, I don’t think I was alone.

Marianela Nuñez and Ryoichi Hirano in Asphodel Meadows.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Asphodel Meadows, The Two Pigeons – London

★★★★✰   Liam Scarlett’s Asphodel Meadows has made a welcome return to the Opera House stage, reminding us exactly why his prodigious talent was given a main stage debut when the choreographer was just 24.

English National Ballet in Manon.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Manon – London

★★★★✰   The entire cast is committed to the MacMillan idea of everyone having their own character and story, and the result is a richly detailed picture of the conflicts between poverty and wealth, love and lust.

Lauren Cuthbertson and Vadim Muntagirov in The Two Pigeons.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Asphodel Meadows and The Two Pigeons

Gallery by Foteini Christofilopoulou…

Anne Souder and Xin Ying in Martha Graham’s Hérodiade.© Melissa Sherwood. (Click image for larger version)

Martha Graham Dance Company – Graham Deconstructed: El Penitente, Hérodiade – New York

★★★✰✰   Both El Penitente and Hérodiade are from the 40’s, a period when Graham was transitioning from exploration of American and Native-American themes to a more mythical mode.

Akram Khan and Christine Joy Ritter in Until the Lions.© Foteini Christofilopoulou. (Click image for larger version)

Akram Khan Company – Until the Lions – London

★★★★✰   As an almost abstract dance work Until the Lions is outstanding, a spectacular collaboration between dancers, musicians, designers and technicians.

Uchenna Dance in Hansel & Gretel.© Foteini Christofilopoulou. (Click image for larger version)

Uchenna Dance – Hansel & Gretel – London

★★★✰✰   Vicki Igbokwe’s bold dance retelling of the classic fairytale Hansel and Gretel has a sense of playfulness at its heart, and something of a political message for adults to chew on too.

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