...it’s that ambiguity in their performances — the tension between seriousness and satire — that makes the company such a joy to watch.
Author - Ryan Wenzel
Ryan Wenzel is a dance writer and editor in New York. He blogs about ballet, modern, contemporary, and traditional dance at www.bodiesneverlie.com and edits the dance section of The Brooklyn Rail, a monthly journal of arts, culture, and politics. He has written about topics other than dance for publications including The Advocate, Details, Popular Photography, and American Photo. You can find him on Twitter at @BodiesNeverLie.
In many respects Abraham's 'Another Night' is a typical Ailey work: its score is upbeat, its costumes are colorful and the dancing is fast and athletic.
Within (Labyrinth Within) is no masterpiece, but it presents exciting possibilities for contemporary ballet while avoiding the hyperextended steps and sexual clichés that muddy so much of the field.
Soledad Barrio makes every moment look improvised. You watch, you wait, and you hold your breath.
When it was announced that Mark Morris would choreograph a new piece for Philadelphia’s Voloshky Ukrainian Dance Ensemble, the collaboration sounded promising.
It’s easy to admire ECLIPSE for its moments of understated beauty, its modesty, its craft, and the quality of the dancing. Why, then, does it ultimately feel so cold and empty?
...remarkable, offering a two-hour program of five diverse Indian dance styles, showing a balance of narrative and pure dance works, in an exciting mix of solos, duets, and ensemble performances. The quality of the dancing was high.
'Oh, Inverted World' is fun and fresh, and it proves McIntyre - who also leads his own company, the Trey McIntyre Project - to be a choreographer of many talents.