★★★★✰ Sidi Larbi Cherkaouis’s work is full of surprises. Icon, first premiered in 2016 is another fruitful collaboration between Anthony Gormley and Cherkaoui in which clay moulds both the theme and the dancers.
Reviews
Reviews of Dance and Ballet Performances
Alvin Ailey American Dance Theater Lazarus, Revelations ★★★★✰ New York, City Center 30 November 2018 www.alvinailey.org www.nycitycenter.org Forward to Ailey In March of 1958, Alvin Ailey presented his first evening of dance, at the 92nd Street Y. Sixty years on, the company is going strong, having survived the death of its founder in 1989 and the successful transfer of leadership from Ailey to...
★★✰✰✰ According to a programme note by the Wang Ramirez duo, they have turned Sawhney's album into 'a fully choreographed show. What will be shown on stage is the result of our interpretation of what has been discussed, researched, felt and exchanged during our meetings.'
★★★★✰ The evening allowed us to observe the differences between the expressive delicacy of the Odissi storytelling and the more expansive and speedy space-devouring moves of Kathak. Each had its distinct flavour with different qualities to enjoy.
★★★★✰ As November fades away and December’s bustle begins, an enchanting Bay Area dance favorite returns for its annual two-week run at the Yerba Buena Center for the Arts.
★★★★✰ Dutch choreographer Didy Veldman has picked a rich subject to mine in The Knot: marriage in all its starry-eyed, nerve-wracking, life-altering glory.
★★★✰✰ The Storm grapples with feeling low, becoming depressed and the tempest like outbursts which can follow.
★★★✰✰ If The Unknown Soldier is dispiritingly low-key, Wayne McGregor's Infra remains assertively bold...
★★★★✰ Nicoletta Manni’s performances in Don Quixote and Giselle on the last three days of Teatro alla Scala ballet company’s season in Australia was extraordinary, not just for her stamina and resilience, but her acting skills.
★★★✰✰ Mark Morris's Layla and Majnun is a music concert with dancing, lamenting a love that cannot be. It's an age-old story, spread across continents and centuries.
★★★★✰ Rambert’s latest programme is a night of hellos and goodbyes, marking the debut of the company’s new standalone junior faction, Rambert2, as well the final performance of a repertory favourite, Christopher Bruce’s Ghost Dances.
★★★✰✰ DUSK had a lot going for it. First was the overall concept. DUSK challenges the viewer to not only acknowledge the idea of transformation, but to consider what lies beneath.
★★★✰✰ Rosie Kay’s MK Ultra is an ambitious project which tackles complex thematic sources - conspiracy theories, brain washing and mind-control, not to mention myths about secret societies such as the Illuminati...
★★★★✰ In the last several years, the choreographer Alexei Ratmansky has developed a sideline to his main choreographic efforts: the reviving of ballets by Marius Petipa in a way that represents the original choreography with as much fidelity as possible...
★★★✰✰ After all these years, here is evidence – if any were needed – that the Aerowaves experiment continues to showcase great talent.
★★★★✰ Overshadowed by the atrocities of WWI, which is commemorated loudly and frequently, the killer Spanish Flu, which killed an estimated 50-100 million people, is at last fittingly acknowledged on its 100th anniversary in Shobana Jeyasingh’s work Contagion.
★★★★✰ In the past, the Royal Ballet's version, last performed five years ago, has sometimes seemed insubstantial. Not so this time, with a luxury cast in full dramatic mode: Vadim Muntagirov, Marianela Nuñez, Natalia Osipova and Gary Avis...
★★✰✰✰ Matthias Sperling’s Now That We Know explores a long-running preoccupation of dancemakers and academics alike: how performance invokes and reflects the mind-body connection.
★★★✰✰ David Bintley, who steps down as director of Birmingham Royal Ballet at the end of the 2018/2019 season, describes the current double bill as 'two ballets fuelled by power and politics'.
★★★✰✰ It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.