Choreographed by artistic director Helgi Tomasson in 1994, the ballet is popular with audiences here and makes a satisfying coda to his thirtieth-anniversary season...
Reviews
Reviews of Dance and Ballet Performances
After the long famine, Ashton’s ballets made a welcome return this week with the company’s triple bill under the umbrella title, The Dream.
The New York City Ballet spring season is off to the races with a week devoted to George Balanchine, specifically the “black-and-white” ballets that for many have come to define his style.
Spring Forward is a three-day festival of contemporary dance, presented by Aerowaves, which confidently declares itself to be a ‘hub for dance discovery in Europe’...
Swimmer is one man's journey from being the stereotypical breadwinner... to his own self-realisation in a kind of isolated freedom.
Expecting the unexpected comes with the territory of any production by Tanztheater Wuppertal Pina Bausch and so even unplanned events can seem to be part of the show.
Beauty of the Beast – surely a contender for cleverest title of the year – is a fascinating study of how male behaviour evolves through the processes of their interaction.
Maillot’s Roméo et Juliette reduces Shakespeare’s poetic play to a graphic novel, illustrating every emotion in bold outlines.
Morris seems particularly interested in deploying turning and spinning movements these days; turns appear again and again in different forms in many of the new works, especially fast chaînés or dizzying rotations in one spot.
The company has performed here annually since 1968 and considers Berkeley its home away from home, both for the synergy it feels with the Cal Performances staff and the receptive local audience.
New York City Ballet's second bill in Washington was all about 21st-Century Choreographers, with works by Alexei Ratmansky, Christopher Wheeldon, Justin Peck and Peter Martins.
In its quasi-spiritual themes and framing, Overworld has tapped into an emerging trend in Melbourne contemporary dance, namely the creation of work that uses ritual as a thematic basis...
We don't give stars but if we did this would get 5. Not to be missed.
Auf dem Gebirge comes from her gloomy period, when she was more concerned with the imagery her performers could dig out of themselves than with their abilities as dancers.
According to Carlson’s programme note, the lemons represent segments of challenge and confrontation...
This handsomely-crafted and well-danced Swan Lake marked an important milestone for the Washington Ballet and proved a huge achievement for its artistic director Septime Webre.
Ballet San Jose is full of surprises...
Oksana Khadarina reviews the Serenade, Agon and Symphony in C bill - prepare for many happy adjectives and lots of history...
It’s a disconcerting feeling when you don’t respond to a piece that nearly everyone else agrees is revelatory. That’s the situation I find myself in with Alexei Ratmansky’s Shostakovich Trilogy.
Do catch it if you want to enjoy the energy and shared commitment of its young performers.





