The release of his book Dancers: Behind the Scenes with The Royal Ballet brings together Andrej’s images for the first time, revealing an intimate photographic record of The Royal Ballet.
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Jann Parry reports on a recent workshop seminar where 4 lighting and set designers talked about what they do...
Nothing could be more delightful than a relaxing hour watching the Wet Hot Beauties conjuring up an aqueous version of Swan Lake in the azure waters of the Parnell Baths...
The good thing about Midnight Tango is that it doesn't feel like a production that has been skimped on in any way. ...So are these ingredients deployed to good affect? Well I'd hoped for a little more, to be honest
Teresa Reichlen - known as Tess by friends and colleagues - is an immediately striking dancer: tall, pale, preternaturally serene. She could be a Madonna in a painting by Botticelli.
It’s Valentine’s Day and I wish I could write a “love letter” review to the Hamburg Ballet. I am not being sentimental - this company is full of incredible dancers, from principals to corps de ballet...
Without Körbes’s natural, radiant dancing, Jean-Christophe Maillot’s Roméo et Juliette, which dominated the company’s four-day run, would have been hard to bear.
Working backwards from the title song that ends Two Cigarettes in the Dark, it’s possible to discern a theme in Pina Bausch’s 1985 piece...
18 pictures by Dave Morgan as part of our overall review...
But it was Rojo who really surprised me, with the most emotionally open performance I've ever seen from her. ...a swansong, indeed: what a way to go!
In New York one can begin to feel proprietary about Balanchine, to form the illusion that his choreography is a local specialty, the province of a select group of dancers, all of them employees of New York City Ballet. But this is mere local pride.
Sara Mearns has been New York City Ballet’s reigning Swan Queen since her breakout performance in 2006, when she was only nineteen years old and a member the corps de ballet. It was a performance of surprising intensity, edged with danger.
Essakow has continued to evolve as a choreographer, thanks to his association with The Print Room. Its high standards of presentation attract first-rate collaborators and performers, and by including spoken and projected words, Flow attracts non-dance-specialist audiences.
If music be the food of love, then it is surely the air and water of dance.
36 pictures by Dave Morgan...
Alston’s response to music is scrupulous, but Kondo’s percussive clatters, not dissimilar to John Cage’s prepared-piano poundings, takes some getting used to – for audiences, as for dancers.
During the season, and over five nights, I saw each of the five Giselles – Dorothee Gilbert, Myriam Ould-Braham, Ludmila Pagliero, Isabelle Ciaravola and Melanie Hurel, and four Albrechts...
The dancers are really top-notch, razor-edge precise and boundlessly energetic, but limited to an eclectic vocabulary reflecting a Nederlands Dans Theater aesthetic...
The highly-anticipated and much-talked-about production of Alice’s Adventures in Wonderland has finally made its way to Washington D.C. for a ten-performance run in January...
The evening felt like a big party, with the Opera House filled to the brim by a cheering, adoring audience. ..."Renee Robinson, We celebrate her tonight!" said Robert Battle, artistic director of the Alvin Ailey American Dance Theater.