At least there are some memorable performances to recall from 2021: at the beginning of the year none of us had any idea when we might sit in a theatre and watch live dance again...
Tag - Alessandra Ferri
DanceTabs photographer Foteini Christofilopoulou recently spent the day with Birmingham Royal Ballet starting with company class, followed by rehearsals of two works involving the company with Miguel Altunaga, Goyo Montero, Alessandra Ferri, and director Carlos Acosta.
★★★✰✰ "These two extraordinary ballet stars gave a masterclass in elegant partnering, Ferri precise on pointe and soaring in a demanding series of lifts, Acosta charismatic, graceful and gracious."
Alessandra Ferri and Carlos Acosta perform the world premiere of a new pas de deux, by Goyo Montero, as part of an extended version of Montero's Chacona. The work can be seen in Birmingham Royal Ballet's Curated by Carlos triple bill presented on 4-6 Nov 2021 at Sadler’s Wells. Gallery by Foteini Christofilopoulou...
Gallery by Foteini Christofilopoulou...
★★★★✰ Both are exceptional dance-actors, though Ferri must take the limelight as the lost, legendary ballerina of Béjart’s imagination.
Both the Royal Ballet and Birmingham Royal Ballet are opening their 2021/22 seasons with the same ballet - Kenneth MacMillan's Romeo and Juliet. Jann Parry takes a look at how one of the most admired narrative ballets of the 20th century came to be and details of the many dancing debuts we can look forward to...
New York City Center is streaming some ballet master classes, curated and hosted by Alastair Macaulay, and involving Misty Copeland, Sara Mearns and Tiler Peck. The coaches/guests include Nina Ananiashvili, Merrill Ashley, Alessandra Ferri, Stephanie Saland and Pam Tanowitz.
★★★★★ Choreographers (Annabelle Lopez Ochoa, Didy Veldman, Andrew McNicol) and performers are providing us with amazing records of what they can achieve in the strangest of times.
★★★✰✰ Wayne McGregor’s first full-length creation for the Royal Ballet, Woolf Works, inspired by Virginia Woolf, remains one of his best works to date.
★★✰✰✰ The show at Wilton's Music Hall, produced and directed by former ballerina Viviana Durante, was originally billed as The Seven Deadly Sins by Kurt Weill and Bertolt Brecht...
★★★✰✰ Somehow, still at the start of the run, the production seems sanitised, nicely 'English' in spite of Nicholas Georgiadis's imposing Italian Renaissance sets and costumes. Different casts yet to come might bring fresh discoveries...
★★★★✰ A harmonious blending of music and dance, it proved seventy-five minutes of non-stop bliss!
★★★★✰ McGregor’s company dancers (in Bach Forms) brought a surging energy, buoying up jewel-like moments from the Royal Ballet stars...
★★★★✰ After a week of Giselle, during which Natalia Osipova and David Hallberg had their much-awaited re-match, the company began its season in earnest on May 21, with a spring gala that included two new works and excerpts from a third...
★★★★✰ The ostensible link between the three works in this mixed bill is that they are by the Royal Ballet's resident choreographers, past and present: Frederick Ashton. Kenneth MacMillan and Wayne McGregor. But none is typical of the choreographers' work...
★★★★✰ For the Royal Ballet, there could not have been a better start to their Australian tour than Ferri’s performance as Clarissa Dalloway in the first act of Wayne McGregor’s Woolf Works.
★★★★✰ In Marguerite and Armand the 3 casts reviewed are Zenaida Yanowsky and Roberto Bolle, Alessandra Ferri and Federico Bonelli, Natalia Osipova and Valdimir Shklyarov.
American Ballet Theatre Giselle ★★★★✰ New York, Metropolitan Opera House 26,27 May 2017 www.abt.org Giselle Fever Like Swan Lake, Giselle is a centerpiece of the ballet repertoire; American Ballet Theatre performs it almost every spring season, for good reason. The company’s production is handsome and a bit shopworn, with sets by Gianni Quaranta that were originally designed for the 1987 film...
She found that she came back to perform with the company she left five years ago with a different approach. ‘I know more about why I love to perform...'