★★★★✰ Don Q is pure entertainment, the kind of extroverted spectacle that the ballet is so very good at.
Tag - American Ballet Theatre
★★★✰✰ Their hunger for dance – that sense of palpable excitement to be onstage and in the moment – was particularly evident during the company’s premiere of Ratmansky’s Seven Sonatas.
★★★★✰ Ballet Across America – a festival that showcases the stylistic, creative and geographical diversity of American ballet – returned to the Kennedy Center this month...
★★★✰✰ Be careful what you wish for. The Boy in Alexei Ratmansky’s Whipped Cream wishes for unlimited sweets; overfulfillment sends him to the hospital with sugar hallucinations.
★★✰✰✰ I begin this notice with a codicil. Let this preamble show my unbounded admiration for the spirit and rationale of Project Polunin.
★★★✰✰ On Friday night, the title role was danced by EunWon Lee, a new name on the Washington Ballet’s roster...
Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows...
★★★★✰ Making her debut in the role of Odette/Odile 28-year-old soloist Devon Teuscher emerged as a shining star in American Ballet Theatre’s Swan Lake at the Kennedy Center Opera House last week.
★★★✰✰ The Siberian company performs its Fille mal gardée with good heart and neat feet.
★★★★✰ The grand pas de deux was the triumphant highlight of the fairytale festivities. Hay expressed the prince’s pride and pleasure in his variations; Takada was demure and regal in hers...
Marina Harss with her personal selection of New York dance memories this last year...
One of the leading interpreters of Kenneth MacMillan’s dramatic ballets Viviana Durante's leaving of the Royal Ballet at the height of her powers was a sad loss to London, if the gain of those who saw her perform elsewhere all around the world. Well now she's back at the Royal Opera House, this time to coach MacMillan's Anastasia, which is where Jann Parry caught up with her...
★★★★✰ After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.
★★★★✰ Jessica Lang's Her Notes is a lovely and poetic work, though one with a slightly subdued effect. It is almost too tasteful.
★★★★✰ A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.
★★★✰✰ One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.
★★★✰✰ I was eager to see American Ballet Theatre’s Sleeping Beauty, mounted by Alexei Ratmansky last year, because of the enthusiastic reviews it has received in the United States. The Paris premiere, however, met with muted acclaim...
★★✰✰✰ So bravo for Danilian. All the dancing at the gala was very fine – who could expect any less from these dancers? One can (and should) question his taste but it’s clear that he’s willing to go out on a limb...
Jeremy McQueen’s dance company, Black Iris Project, have their debut season at New York Live Arts this week - 27 & 28 July. Shanti Crawford spoke with the emerging choreographer about his new company, what drives them and the NY Live Arts bill.
★★★★✰ This is a production that lives and breathes, and which rewards multiple viewings, changing subtly with each cast.