Birmingham Royal Ballet ★★★✰✰ & Ballet Black ★★★★★ The Suit rewards multiple viewings and it thoroughly merited the opportunity of the bigger platform...
Tag - Ballet Now
★★★✰✰ Overall, invigorating; a demonstration of the company’s healthy enthusiasm for innovation and playing with the form...
★★★✰✰ David Bintley, who steps down as director of Birmingham Royal Ballet at the end of the 2018/2019 season, describes the current double bill as 'two ballets fuelled by power and politics'.
Didy Veldman's Umanoove are about to tour her latest work - The Knot - an examination of the social and personal significance of marriage in contemporary Western society. Diane Parkes has a word about the work and what makes Veldman tick
★★★✰✰ Williamson’s commission – the first of an ambitious Ballet Now programme for new works – was themed on issues of gender and alienation, with Brandon Lawrence being a man struggling for identity...
★★✰✰✰ Bintley’s ‘Still Life’ at the Penguin Café saves a dispiriting evening by providing nimble demi-character dancing with a timely message, first delivered nearly 20 years ago.
Ballet Now is an initiative between Birmingham Royal Ballet and Sadler’s Wells to develop the (classical) choreographers, composers and designers of the future. It's a 5-year programme with 2 commissions each year, made possible by the Oak Foundation, matched BRB funding and driven by a Creative Consortium.