Hubbard Street Dance Chicago – Jardí Tancat, N.N.N.N., Lickety-Split, Grace Engine – San Francisco
★★★★✰ I only wish Hubbard Street’s Berkeley run could have been longer than three performances, and based on the audience’s cheers and applause, I don’t think I was alone.
Memorable Performances of 2018 – London
Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.
2018 National Dance Awards – Announcement of Nominations
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 19th National Dance Awards…
5 Questions to Dane Hurst about his creative life and dancing in Didy Veldman’s The Knot…
I’m really enjoying being different things throughout the year. Sometimes a dancer, then choreographer and teacher and most recently I had a go at acting again in a feature film by Clara Van Gool…
World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing
Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.
Carlos Acosta – Dancer, Directer, Choreographer: ‘I am a man on a mission – I always have been’
“That’s what it’s always been about for me – the necessity to connect with an audience and express myself.”
Nederlands Dans Theater – Shoot the Moon, Woke up Blind, The Statement, Stop-Motion – London
★★★★✰ World-class dancers… it’s the dancers’ polish and power that raises all they do up another level.
Gallery – Nederlands Dans Theater in Stop-Motion and The Statement
Works by Crystal Pite, Sol Leon and Paul Lightfoot. Gallery by Foteini Christofilopoulou…
5 questions for Paul Lightfoot, Choreographer and Artistic Director of Nederlands Dans Theater
Nederlands Dans Theater is paying London’s Sadler’s Wells a short visit (26-29 June) with an interesting bill of works by Crystal Pite, Marco Goecke & the duo Paul Lightfoot & Sol Leon.
Paris Opera Ballet – Thierrée / Shechter / Pérez / Pite – Paris
★★★★✰ Crystal Pite’s work stands out as the crowd-pleaser. With huge cheers and applause, we rise to our feet for the dancers.
Royal Danish Ballet – The Queen of Spades – Copenhagen
★★★✰✰ The good news is that Queen of Spades is a good-looking crowd pleaser and the RDB dancers look fantastic in it – I can’t emphasise that enough. Also good that it’s a step up from his last commission, Frankenstein – thank goodness, really.
English National Ballet – Voices of America bill – works by Forsythe, Robbins & Barton – London
★★★★✰ Altogether, a cunningly judged programme that shows off the company at its most engaging…
Ballet British Columbia – 16+ a room, Solo Echo, Bill – London
★★★✰✰ Crystal Pite’s Solo Echo, originally made for Nederlands Dans Theater, was the undoubted highlight of the evening. Built around two Brahms sonatas…
Interview – Emily Molnar, Ballet British Columbia’s artistic director, on their work and UK tour
Next month (March 2018) Ballet British Columbia, or Ballet BC as they are commonly known, tour the UK. Diane Parkes talks to artistic director Emily Molnar about the company and the works they are touring which includes a piece by the ultra-hot Crystal Pite…
Memorable Performances of 2017 – London
Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet…
2017 National Dance Awards – Announcement of Nominations
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 18th National Dance Awards…
Royal Ballet – The Illustrated ‘Farewell’, The Wind, Untouchable – London
★★★✰✰ Kevin O’Hare is commissioning choreographers who want to make use of what the Opera House can offer; he’s not setting out to declare where ballet ought to be heading and he’s not playing safe.
Pacific Northwest Ballet – Her Story: Her Door to the Sky, Afternoon Ball, Plot Point – Seattle
★★★★✰ Suspense be damned. I’m just going to give away the ending of this review: Crystal Pite’s Plot Point, which closes Pacific Northwest Ballet’s Her Story triple bill, is a terrific piece of dance-theater.
5 Questions to George Williamson – freelance choreographer and recipient of the first BRB Ballet Now commission
Ballet Now is an initiative between Birmingham Royal Ballet and Sadler’s Wells to develop the (classical) choreographers, composers and designers of the future. It’s a 5-year programme with 2 commissions each year, made possible by the Oak Foundation, matched BRB funding and driven by a Creative Consortium.
