"Jane Eyre" tag
Abigail Prudames (Victoria) and Pippa Moore (older Princess Beatrice) in Victoria.© Emma Kauldhar. (Click image for larger version)

Northern Ballet – Victoria (Marston premiere) – Leeds

★★★✰✰   Where the ballet takes off is when there are only two or three major characters on stage and then Marston clearly shows intentions and emotions and the dancing becomes rich and telling, clever and gorgeous.

Cathy Marston.© Foteini Christofilopoulou. (Click image for larger version)

Cathy Marston on her new work for Northern Ballet, Victoria, the creative process and more…

Marston has been working at Northern Ballet creating Victoria for the company (premiere this month) and we wanted to find out more, also catch up on other commissions and discuss just how she works creatively and manages to juggle it all so effortlessly…

Thomas Bieszka in In the Middle, Somewhat Elevated.© Foteini Christofilopoulou. (Click image for larger version)

Memorable Performances of 2018 – London

Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.

Dreda Blow and Javier Torres in Jane Eyre.© Caroline Holden. (Click image for larger version)

Northern Ballet – Jane Eyre – London

★★★✰✰   This excellent ballet is clearly a “keeper” and a work I would like to see again and again.

Cira Robinson and Mthuthuzeli November with Jose Alves in Cathy Marston's The Suit.© Dave Morgan. (Click image for larger version)

Ballet Black – The Suit, A Dream Within a Midsummer Night’s Dream – London

★★★★★   Another year and another terrific bill from Ballet Black, mixing two strong and sophisticated works from much sought after international choreographers. …one of the company’s finest nights.

Patrick de Bana.© and courtesy MuzArts. (Click image for larger version)

Patrick de Bana, Choreographer, on creativity and working with Svetlana Zakharova

“It’s like a game of tennis – I hit the ball and she returns it.”. Margaret Willis catches up with choreographer Patrick de Bana to talk about his choroegraphic life and latest project – contributing to Svetlana Zakharova’s show Amore – which tours to the UK in November.

Kizzy Matiakis (Merteuil), Jon Axel Fransson (Valmont) and Andreas Kaas (Danceny) in Dangerous Liaisons.© Costin Radu. (Click image for larger version)

Royal Danish Ballet – Dangerous Liaisons (premiere) – Copenhagen

★★★★✰   …I was again struck by just how effortlessly a story can be communicated and emotions laid bare by ballet – it was a triumph.

Giuliano Contadini with Hannah Bateman as Henriette in Casanova.© Emma Kauldhar. (Click image for larger version)

Northern Ballet – Casanova – Leeds

★★★★✰   This is Northern Ballet firing on all dramatic cylinders – a fine show made great by the entire company.

Tamara Rojo in Annabelle Lopez Ochoa’s Broken Wings.© Dave Morgan. (Click image for larger version)

Memorable Performances of 2016 – London

Lynette Halewood with her personal selection of London dance memories from the past year…

© Critics’ Circle National Dance Awards

2016 National Dance Awards – Announcement of Nominations

The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 17th National Dance Awards,

Wu Husheng and Qi Bingxue.© Shanghai Ballet. (Click image for larger version)

Wu Husheng and Qi Bingxue – Shanghai Ballet’s stars of Echoes of Eternity

After a successful season of Patrick de Bana’s Jane Eyre, back in 2013, Shanghai Ballet returns to the London Coliseum with the same choreographer’s Echoes of Eternity – we catch up with the stars of it – Wu Husheng and Qi Bingxue.

Elisha Willis and Iain Mackay in John Cranko's The Taming of the Shrew.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet: Taming of the Shrew (Birmingham) and Northern Ballet: Jane Eyre (Leicester)

★★★✰✰ for BRB’s troublesome fun packed Taming of the Shrew and ★★★★✰ Northern Ballet’s Jane Eyre with Hannah Bateman in the lead…

Wu Husheng (Emperor) and Qi Bingxue (Lady Yang) in Echoes of Eternity.© Shanghai Ballet. (Click image for larger version)

Shanghai Ballet – Echoes of Eternity – Shanghai

★★★✰✰   De Bana’s choreography was especially effective in the group scenes and not least in the descriptive expression of the organised chaos of warfare…

Dreda Blow and Javier Torres in Jane Eyre.© Dave Morgan. (Click image for larger version)

Northern Ballet – Jane Eyre – London

★★★★✰   …their final duet, when Rochester is blinded and broken, is truly touching…

Dreda Blow and Javier Torres in Jane Eyre.© Dave Morgan. (Click image for larger version)

Gallery – Northern Ballet in Jane Eyre

Gallery by Dave Morgan…

Tobias Batley in Jonathan Watkins' 1984.© Emma Kauldhar. (Click image for larger version)

Northern Ballet – 1984 – London

★★★★✰   …an excellent reminder of how enduring Orwell’s work is, and how powerful a channel ballet can be for complex human emotions like distrust and defeat.

Dreda Blow (Jane) in Cathy Marston's Jane Eyre.© Emma Kauldhar. (Click image for larger version)

Northern Ballet – Jane Eyre – Doncaster

★★★★✰   It’s actually the best new narrative work I’ve seen Northern Ballet do in many years.

Fan Xiaofeng, Wu Husheng and Xiang Jieyan in Jane Eyre.© Dave Morgan. (Click image for larger version)

Gallery – Shanghai Ballet Company in Jane Eyre

20 pictures by Dave Morgan

Poster image for Jane Eyre.© Shanghai Ballet Company. (Click image for larger version)

Shanghai Ballet Company – Jane Eyre – London

“It is performed with great commitment…” says Lynette Halewood of a Jayne Eyre ruthlessly pruned for dance…

A 1973 poster for the ballet held on chineseposters.net

Shanghai Ballet – White-Haired Girl – Hong Kong

Ideological qualms aside, White Haired Girl is an odd bird. The choreography is a hybrid between textbook classical vocabulary and Chinese opera, an idea interesting in itself but here executed with a lack of imagination…

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