"Joyce Theater" tag
Black Grace in Crying Men.© Christopher Duggan. (Click image for larger version)

Black Grace – Kiona and the Little Bird Suite, As Night Falls, Crying Men, Method – New York

★★★★✰   The dozen dancers brought a fierce energy to the stage, performing four works of astonishing speed and athleticism.

Maya Beiser and Wendy Whelan in The Day.© Nils Schlebusch. (Click image for larger version)

Maya Beiser + Wendy Whelan + Lucinda Childs + David Lang – The Day – New York

★★★✰✰   The pairing of prestigious participants does not always guarantee success – a lesson learned again and again in the theater.

Shantala Shivalingappa in Akasha.© Elian Bachini. (Click image for larger version)

Shantala Shivalingappa – Akasha – New York

★★★★✰   Everything in Shivalingappa’s style emphasizes clarity, shape, and intention. … a very satisfying evening of dance.

Joseph Gordon and David Hallberg in Maurice Béjart's Song of a Wayfarer.© Maria Baranova. (Click image for larger version)

RB, ABT, NYCB & NYTB dancers at the Joyce Ballet Festival – Prog C, curated by Jean-Marc Puissant – New York

★★★★✰   Starwise, Bejart’s Wayfarer bumps this program from two stars to four.

Lauren Cuthbertson and Marelino Sambé in Juliano Nuñes’ Two Sides Of.© Maria Baranova. (Click image for larger version)

RB, NBoC & ABT dancers at the Joyce Ballet Festival – Prog B, curated by Lauren Cuthbertson – New York

★★✰✰✰   I hadn’t seen much of the well-regarded Cuthbertson, so I was looking forward to this chance to get to know her (she appeared in four of five pieces), as well as the not-always-dubious introduction to new works by new choreographers…

Joseph Sissens in Charlotte Edmonds' jojo.© Maria Baranova. (Click image for larger version)

Royal Ballet dancers at the Joyce Ballet Festival – Program A, An Evening of Solos and Duets – New York

★★★✰✰   Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.

Sorella Englund in La Sylphide, from a 2015 visit to London.© Dave Morgan. (Click image for larger version)

Ulrik Birkkjaer and Royal Danish Ballet dancers – Bournonville Legacy bill – New York

★★★★✰   You can tell the Danes are in town by the fact that the Joyce Theater has been packed night after night this week.

Savion Glover.© and courtesy Savion Glover. (Click image for larger version)

Savion Glover – Lady5 @ Savion Glover’s BaRoQUe’BLaK TaP CaFe – New York

★★★✰✰   Light on tap and heavy on concept, the show is inspired by an imaginary conversation between Glover and Gregg Burge – a multi-talented artist lost too young (23 years ago this 4 July) to brain cancer.

Zoey Anderson and Katie Garcia in Trey McIntyre's Eight Women.© Yi-Chun Wu. (Click image for larger version)

Parsons Dance – Round My World, Eight Women, Runes, Caught, Nascimento – New York

★★★★✰   I can’t recall ever leaving a theater after seeing a Trey McIntyre work, and not feeling better about things.

Camille A. Brown in ink.© Christopher Duggan. (Click image for larger version)

Camille A. Brown & Dancers – ink – New York

★★★★✰   The choreographer Camille A. Brown has a rare talent – the ability to make you understand a situation or state of mind through dance.

Victoria Hulland, Ricardo Graziano and Ricardo Rhodes in Ashton's Monotones II.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York

★★✰✰✰   After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.

Choreographer Lauren Lovette working with Ashley Bouder on Red Spotted Purple.© Gibney/Ashley Bouder - from Instagram original.

Ashley Bouder Project – Red Spotted Purple, Duet, Alas, Symbiotic Twin, In Pursuit Of – New York

★★★✰✰   Bouder’s pick-up ensemble of eight, which she refers to as an arts collaborative, reflects her ideals. It is racially diverse; the choreographers include both men and women. Not all the choreographers are white. This should be par for the course, but it’s not.

Dada Masilo's Giselle - The Dance Factory, Johannesburg (2017).© John Hogg. (Click image for larger version)

Dada Masilo / The Dance Factory – Giselle – New York

★★★✰✰   Masilo’s is an uncompromising, ritualistic version of the story, with little room for redemption, and in its final scene, in which the spirits amass and advance upon Giselle’s seducer again and again, it tips over into a kind of animistic brutality…

Arcell Cabuag in Upside Down.© Ayodele Casel. (Click image for larger version)

Evidence, A Dance Company – Come Ye, March, Den of Dreams, Upside Down, Dancing Spirit – New York

★★★★✰   Ronald K. Brown is one of those choreographers who returns to a similar mode in piece after piece, so it’s easy to take him for granted. But what a powerful mode it is.

Mikko Lampinen, Eero Vesterinen, Oskari Nyyssola and David Scarantinos in Morphed.© Darya Popova, courtesy Tero Saarinen Company. (Click image for larger version)

Catching up with Morphed – Tero Saarinen Soul Shifting in New York

Some dance can be really thought provoking and that seems to have been the case with Tero Saarinen’s “Morphed” – at least for Millicent Hodson and Kenneth Archer who recently caught up with the work at the Joyce in New York.

Liz Gerring Dance Company in Horizon.© Yi-Chun Wu. (Click image for larger version)

Liz Gerring Dance Company – Horizon – New York

★★★★✰   Gerring’s dances may be spare – she doesn’t go in for complicated designs or music – but they certainly don’t feel dry. They teem with energy and life.

Jessica Lang.© Kazu. (Click image for larger version)

Jessica Lang – Catching up with the Choreographer and Director

Answer: “Do it!” Question: “What advice would you give to a young dancer who aspires to choreograph?”

Twyla Tharp.© Robert Whitman. (Click image for larger/full version)

Twyla Tharp Dance – The Raggedy Dances, The Fugue, Entr’acte, Dylan Love Songs – New York

★★✰✰✰   It all sounds terribly promising, and yet the evening falls as flat as a soufflé left in the oven for too long.

Gemma Bond's Then and Again.© Rod Brayman. (Click image for larger version)

Gemma Bond Dance – Then and Again, The Giving, Impressions – New York

★★★✰✰   It’s intriguing to see pas de deux that are clearly conceived from a woman’s point of view.

Christopher Harrison, Thomas Edwards, Andrew Peasgood and Eve Mutso in Christopher Bruce’s Ten Poems.© Andy Ross. (Click image for larger version)

Scottish Ballet – Sinfonietta Giocosa, Motion of Displacement, Ten Poems – New York

★★★★✰   Scottish Ballet came ready to impress, and impress it did.

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