At least there are some memorable performances to recall from 2021: at the beginning of the year none of us had any idea when we might sit in a theatre and watch live dance again...
Tag - La Fille Mal Gardee
Both the Royal Ballet and Birmingham Royal Ballet are opening their 2021/22 seasons with the same ballet - Kenneth MacMillan's Romeo and Juliet. Jann Parry takes a look at how one of the most admired narrative ballets of the 20th century came to be and details of the many dancing debuts we can look forward to...
The entire Royal Ballet were back on stage and performing for a live audience last Friday in a gala style show which was/is also streamed. Jann Parry was mightily impressed with the dancing and repertoire (★★★★★) if not so much with the live audience experience in a Covid aware Opera House (★★★✰✰)
★★★★★ If you want an antidote to any miserable lockdown mood, La Fille mal gardée cannot fail to lift your spirits and allow you to marvel at some really first-rate dancing.
★★★✰✰ The first concert was not much of a consolation for all that we have lost. So far, the Royal Ballet appears a token add-on to the opera's contributions...
Marianela Núñez talks about one of her favourite ballets, "La Fille mal gardée", and life under lockdown, which for Marianela has been in Argentina. "La Fille mal gardee", one of the most loved works in the Royal Ballet repertoire, streams this Friday, 12 June, from 19:00 BST
Ashton Rediscovered Masterclass: "Foyer de danse", coached by Ursula Hageli & Christopher Newton, and the "Le Papillon" solo, coached by Wayne Eagling. Jann Parry with a detail report for DanceTabs..
Meaghan Grace Hinkis, the Royal Ballet soloist, is about to make her debut as Vera in Frederick Ashton’s “A Month in the Country”. 5 quick questions about that and her dancing life…
★★★★✰ I look forward to the changes inevitably coming to BRB, but I can't believe any new director will turn their back on such repertoire gems as La fille mal gardee and their Peter Wright Nutcracker.
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 18th National Dance Awards...
In the first of the mixed bills celebrating Kenneth MacMillan’s ballets, 25 years after his death, "Le Baiser de la fée" intrigued me because the questions it posed about his development as a choreographer...
★★★★★ It seems appropriate that I’ve travelled to Russia to find a Cinderella interpreter of movement and spectacle to match up to the genius of Prokofiev’s music.
Meticulous reconstructions of Petipa, Cunningham, Graham, Taylor works are performance staples these days. Much rarer is a reconstruction like "Le Temple de la Gloire" (The Temple of Glory) a 1745 political opera-ballet with music by Jean-Philippe Rameau and a libretto by the philosopher Voltaire....
★★★★✰ Matthew Bourne celebrates the 30th anniversary of his own company at the same time as Tate Britain has launched "Queer British Art 1861-1967" to mark the 50th anniversary of the decriminalisation of homosexuality. "Early Adventures" could be a theatrical coda to the exhibition...
★★★✰✰ The Siberian company performs its Fille mal gardée with good heart and neat feet.
Marina Harss with her personal selection of New York dance memories this last year...
★★★★✰ Early arrivals for the opening night of the Royal Ballet’s autumn season could watch Peregrine the pony being escorted to the stage door in readiness for his role in La Fille mal gardée...
Yuhui Choe and Valentino Zucchetti cast. Gallery by Dave Morgan.
Four Royal Ballet dancers promoted to Principal from the start of the 2016/17 Season - Alexander Campbell, Francesca Hayward, Ryoichi Hirano and Akane Takada
★★★★✰ But the kids are just one element of what makes Midsummer tick. Another is the intelligence and efficiency with which the ballet tells its story.