Gallery by Foteini Christofilopoulou...
Tag - London
It’s a modern and sometimes rather busy retelling, but it ends as every fairy tale should do...
This Nutcracker production has the best conclusion of any...
Acosta deserves every moment of his standing ovation...
Gallery by Foteini Christofilopoulou...
Gallery by Dave Morgan... in the leads are Iana Salenko and Steven McRae.
Gallery by Foteini Christofilopoulou...
Gallery by Foteini Christofilopoulou...
Endearing, intelligent and enterprising, Sikorski and Wellesley Wesley will find the right format for Nora to flourish.
It sounds like a great combination, and had some stunning moments, but turned out to be an oddly uneven experience in the theatre...
Gallery by Foteini Christofilopoulou...
Gallery by Foteini Christofilopoulou...
Last month English National Ballet and Roehampton University held an event at London's Sadler's Wells to talk about their joint work on helping those with Parkinson’s disease: "Dance for Parkinson's Evidence of Impact - Moving Forward". Jann Parry reports for DanceTabs...
Richard Alston Dance Company Espresso Vivace, Mazur, Burning, Brisk Singing London, Richmond Theatre 19 November 2015 www.richardalstondance.com Petite though it is, Richmond Theatre doesn’t proffer much of a sense of intimacy: its ornate décor and opera house stage design give it a grand feel, whereas The Place – Richard Alston Dance Company’s home turf – is a far simpler, tighter space, with...
Odedra undoubtedly feels passionate about dyslexia ...and succeeds here in making what might seem an unlikely subject into a compelling account of struggle and wonder.
It seems now to be a given that any new work by Izadora Weiss will combine dramatic, narrative-based dance theatre with a profound visual impact, danced to challenging, powerful music.
The solemnity of the middle section of the programme is alleviated by irreverent visions of heaven and hell...
Monotones II: Audiences are now accustomed to the manic acrobatic contortions of modern choreography, so it is rewarding to see the rigour with which the three performers (Marianela Nunez, Valeri Hristov and Edward Watson) control their elasticity.
An interview with Adam Kirkham, Carys Staton, Nathan Young and Yu-Hsien Wu of Russell Maliphant Company as they take on roles first created by Guillem and the BalletBoyz. Also advice to graduating students and discussion of Maliphant's approach to creating new work...
Watching a group of men “erupt on stage”, as he describes it, had a profound effect on Rizzo – this 60-minute piece is his attempt to explore why.