New York City Ballet – Serenade, Mozartiana, Tschaikovsky Piano Concerto No. 2 – New York
★★★✰✰ One of the earliest things I appreciated about Balanchine is that he made me feel okay about liking Tschaikovsky (as NYCB likes to spell it)…
New York City Ballet – Fall Gala: The Exchange, Judah, The Runaway – New York
★★★✰✰ No evening of new works is perfect; the excitement lies in the hope that at some point some magic will happen. And in that solo for Taylor Stanley by Kyle Abraham, we got a glimpse of that magic.
New York City Ballet – Dance Odyssey, The Red Violin, Russian Seasons – New York
★★★✰✰ Like Walker’s first work for the company “Dance Odyssey” shows a lot of promise. It has warmth and humor, a good grasp of stage geometry and a sensitive musicality.
New York City Ballet – Fall Gala 2016 – New York
★★★✰✰ The pattern is set: the company commissions works from three or four choreographers, often quite young, and pairs them with prominent designers. The works are short, and are introduced by filmlets…
New York City Ballet – Ash, This Bitter Earth, The Infernal Machine, Jeux, Paz de la Jolla – New York
★★★✰✰ Handsome to look at, with its film-noir lighting and flattering black 1940’s style dresses (by Marc Happel), Jeux nevertheless proves to be rather thin…
New York City Ballet – Jeux + Polaris, The Blue Distance, Common Ground, New Blood – New York
Jeux, has a distinctly adult atmosphere and a highly cinematic look. Actually, the look might be the most interesting thing about it…
New York City Ballet – Fall Gala, with 4 premieres – New York
Nobody surpasses New York City Ballet in sleekness and urbanity. The company is like a glistening skyscraper: sharp-edged, diamantine and, sometimes, a little cold…
New York City Ballet – Fall Gala – New York
It’s as pointless to complain about ballet galas as it is to grumble about the weather. They serve a purpose…
New York City Ballet – Opening Night of Spring Season – New York
Opening night of New York City Ballet’s spring season wasn’t a gala, but there was a festive buzz in the theatre nonetheless. The ballets were all by living choreographers; the oldest dated from 1988, half were of more recent vintage.
New York City Ballet – Spectral Evidence, Soirée Musicale, Namouna – New York
One feels as Débussy did when he wrote, at the end of the nineteenth century, that “amid too many silly ballets, Lalo’s Namouna is something of a masterpiece.”
New York City Ballet – Fall Gala – New York
Amid all the fuss about the costumes, the choreogaphy paled… What a joy, then, to see a section of Western Symphony, with those marvelous frou-frou tutus by Karinska and that euphoric outpouring of Balanchine’s’ crisp, witty steps.
Interview: Justin Peck – New York City Ballet – Dancer and Choreographer
“It’s very lonely out there… I mean, it would be nice to have some sort of mentorship with regard to what it takes to be a choreographer.”
New York City Ballet – Concerto Barocco, Kammermusik No. 2, Firebird, Symphony in C – Saratoga Springs
After the dreary bombast of Alexei Ratmansky’s recent Firebird for American Ballet Theatre, the Balanchine/Robbins version, with its blessedly shorter score (Stravinsky’s Firebird Suite), heavenly Chagall designs and the great Ashley Bouder in one of her first great roles, was a welcome palliative.
New York City Ballet – Spring Gala – New York
I think it’s safe to say that neither of the new works knocked the planet off its axis…
