★★★★★ One of many striking things about Marcia Haydée’s production of The Sleeping Beauty is that although it premiered on 10 May 1987, it still looks fresh and current and could have been created within the last couple of years.
Tag - Marcia Haydee
Kenneth MacMillan's Mayerling in new Jürgen Rose designs - "I am not reviewing the recording so much as commenting on the differences between Stuttgart Ballet's 2019 production and the Royal Ballet's version that dates back to the ballet's premiere in 1978..."
So how did a good Chilean boy end up dancing ballet in Europe...
★★★✰✰ NIJINSKI neatly lassos this altogether using Goecke’s avant garde movement style ...to give the Stuttgart audience an abstract impression of Nijinsky’s life and contribution to Diaghilev’s Ballets Russes.
Dance on film is a tricky thing. On the one hand it provides a unique opportunity to see dance up close and to see foreign repertoires and artists; on the other, it lacks the intangible live chemistry that can electrify an opera house.
Julio Bocca, much loved but now no longer dancing, has a new life in Montevideo, running Ballet Nacional SODRE. Marina Harss talks to a busy man rebuilding his company - fast...
Reid Anderson can certainly pick dancers and choreographers in the making. We really do need to see Stuttgart Ballet more often in order to keep up with his discoveries.
I first saw Onegin with Marcia Haydée and Richard Cragun when the Stuttgart Ballett made its New York debut in 1969. So when San Francisco Ballet premiered it in the 2011-12 season I was happy to meet an old acquaintance again.
It's said that for financial reasons there will be no more performances of Lady of the Camellias here after this run – that would be a little tragedy of its own: these dancers deserve the chance to grow in their roles and their audience deserves the opportunity to see them do it. Let's hope some way will be found to make it happen.
The local audiences warmly welcomed the long-overdue return of the Hamburg Ballet which was appearing for the third time in the festival. For this 40th anniversary festival the Hamburg company brought both a plotless ballet and a narrative ballet by its renowned choreographer, John Neumeier.