"Martha Graham" tag
Savion Glover.© and courtesy Savion Glover. (Click image for larger version)

Savion Glover – Lady5 @ Savion Glover’s BaRoQUe’BLaK TaP CaFe – New York

★★★✰✰   Light on tap and heavy on concept, the show is inspired by an imaginary conversation between Glover and Gregg Burge – a multi-talented artist lost too young (23 years ago this 4 July) to brain cancer.

Laura Halzack and Devon Louis in Tanowitz's all at once.© Paula Lobo. (Click image for larger version)

Paul Taylor Dance Company – Junction, all at once, Promethean Fire – New York

★★★★✰   In her ‘all at once’, Tanowitz seems to have taken Taylor’s ‘Junction’ as her starting point. Like that work, it is a paean to awkwardness…

Pam Tanowitz Dance in the Little Gidding section of Four Quartets.© Maria Baranova. (Click image for larger version)

Pam Tanowitz Dance – Four Quartets (T.S. Eliot) – London

★★★✰✰   Tanowitz is ideally placed to translate poetry into dance. Her vocabulary is effortlessly fluid with clear Cunningham/Graham/Brown influences and yet her own voice is strongly established.

Yorke Dance Project in Kenneth MacMillan's Playground.© Pari Naderi. (Click image for larger version)

Yorke Dance Project – Twenty: Playground, Between and Within, Communion, Imprint – London

★★★★✰   By swelling the numbers of her small touring company, Yolande Yorke-Edgell was able to mount a revival of Kenneth MacMillan’s Playground and a 10-strong ensemble for Robert Cohan’s Communion. The programme also included new works by Sophia Stoller and Yorke-Edgell herself.

Yolande Yorke-Edgell.© Pari Naderi. (Click image for larger version)

5 Questions to Yolande Yorke-Edgell of Yorke Dance Project on celebrating their 20th anniversary

Yorke Dance Project are celebrating their 20th anniversary with TWENTY – a bill of new works by Robert Cohan, Sophia Stoller and Yorke-Edgell coupled to the first ever restaging of Kenneth MacMillan’s Playground. We talk to director Yolande Yorke-Edgell…

Night of 100 Solos at the Brooklyn Academy of Music.© Stephanie Berger. (Click image for larger version)

Merce Cunningham Trust – Night of 100 Solos, Centennial Event – New York

★★★★✰   What impresses overall is the clarity of the technique; the precision and control it requires. And the way it enlarges the dancers, distilling their strengths, stretching them to the limit.

Wim Vanlessen in Boléro.© Filip Van Roe / Opera Ballet Vlaanderen. (Click image for larger version)

Royal Ballet Flanders – Fall, Chronicle, Boléro – Antwerp

★★★★✰   For a very short while, Wim Vanlessen will enjoy the claim that he has performed for the Royal Ballet Flanders for more than half its existence. The company celebrates its fiftieth anniversary, later this year and Vanlessen joined in 1994. This performance was both a celebration of exceptional long service and a farewell…

Alicia Delgadillo, Andrew Murdock, Florian Lochner and Ana Lopez in William Forsythe's N.N.N.N..© Todd Rosenberg. (Click image for larger version)

Hubbard Street Dance Chicago – Jardí Tancat, N.N.N.N., Lickety-Split, Grace Engine – San Francisco

★★★★✰   I only wish Hubbard Street’s Berkeley run could have been longer than three performances, and based on the audience’s cheers and applause, I don’t think I was alone.

Anne Souder and Xin Ying in Martha Graham’s Hérodiade.© Melissa Sherwood. (Click image for larger version)

Martha Graham Dance Company – Graham Deconstructed: El Penitente, Hérodiade – New York

★★★✰✰   Both El Penitente and Hérodiade are from the 40’s, a period when Graham was transitioning from exploration of American and Native-American themes to a more mythical mode.

Aura Fischbeck Dance in DUSK.© Claire Duplantier. (Click image for larger version)

Aura Fischbeck Dance – DUSK – San Francisco

★★★✰✰   DUSK had a lot going for it. First was the overall concept. DUSK challenges the viewer to not only acknowledge the idea of transformation, but to consider what lies beneath.

Eddie Nixon, Artistic Director of The Place.© Hugo Glendinning. (Click image for larger version)

Eddie Nixon, new Artistic Director of The Place

Eddie Nixon has just been appointed as The Place’s Artistic Director – Graham Watts is first to interview him about his new role and plans…

Lauren Post and José Sebastian in Zhongjing Fang's Seen by Two.© Rod Brayman. (Click image for larger version)

Co.Lab Dance – Seen by Two, Almost Ritual, The Bright Motion, Sketches – New York

★★★✰✰   What will Co.Lab become? I look forward to finding out. Meanwhile, it’s simply encouraging to see these dancers and emerging choreographers create something of their own.

"An Evening with Namron" stage backdrop.© Graham Watts. (Click image for larger version)

An Evening with Namron – From Asphalt to Maple Wood

For around 80 minutes, Namron entertained his audience, largely comprising past and present luminaries of London contemporary dance, with stories and reminiscences, often breaking into movement, before finishing with a brief question & answer session…

Laura Halzack and Michael Trusnovec in Mercuric Tidings.© Paul B. Goode. (Click image for larger version)

Paul Taylor American Modern Dance – David H. Koch season – New York

★★★★✰   Even in stillness, Taylor dancers hold immense power in their bodies, the energy potential within them more nuclear than solar.

Part of Akademi flyer for The Troth.© Akademi. (Click image for larger version)

Akademi – The Troth – Leicester

★★★★★   The Troth is a gripping experience of a shared heritage. It’s convincingly told as a moving story of love and sacrifice, set in an all-too-familiar context of First World War horror seen through unfamiliar eyes…

Vincent Chavez and Crystaldawn Bell rehearsing Bootstrap Tales.© Steve Disenhof. (Click image for larger version)

Robert Moses’ Kin – Bootstrap Tales (premiere), Speaking Ill of the Dead, Trapdoors/Trickbags/Painted Corners, Lucifer’s Prance – San Francisco

★★★★✰   The choreography for Bootstrap Tales abides in a place where possibility, gumption and empowerment meet. The atmosphere of moving forward is palpable.

Amanda Treiber and Erez Milatin in Optimists.© Rachel Neville. (Click image for larger version)

New York Theatre Ballet – Beethoven/1999, Optimists, Dark Elegies, Double Andante – New York

★★★✰✰   All was danced with the quiet focus, lucidity, and unfussy delivery that characterize the company. No attention-grabbing fireworks…

Carmen de Lavallade immediately after receiving her Honors medallion.© John P. Filo/CBS. (Click image for larger version)

Carmen de Lavallade Honoured at The 40th Annual Kennedy Center Honours

Dancer, choreographer, actress, teacher, director, writer, and mentor, Carmen de Lavallade is a true artist in every sense of the word – and a true legend.

Wendy Whelan, Brian Brooks and Brooklyn Rider in Some of a Thousand Words.© Nir Arieli. (Click image for larger version)

Wendy Whelan, Brian Brooks and Brooklyn Rider – Some of a Thousand Words – San Francisco

★★★✰✰   I very much like Brooks’ work, particularly his approach to rebound, points of contact in partnering and his nuanced use of accumulation…

Marcelo Gomes and Sara Mearns in The Red Shoes.© Daniel Coston. (Click image for larger version)

New Adventures – Matthew Bourne’s The Red Shoes – New York

★★★★✰   It’s always exciting to discover a new side of an artist. For this, and for an immensely entertaining show, we have to thank Matthew Bourne.

DanceTabs © 2019 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.