★★★✰✰ It’s a bit of a bashed-together stream, with a shiny new, COVID-19 era recording of Emeralds, made in January of this year, teamed up with a Rubies from 2016, and Diamonds from 2017...
Tag - Mathilde Froustey
★★★★✰ San Francisco Ballet’s Program 2 was dubbed Classical Re(Vision) – a remembering of and reconnection with choreography in SFB’s existing repertory catalogue.
★★★★✰ the overall impression was of the wholly American spirit of the company – peppy, vivacious, determined and running at full-tilt.
★★★★✰ Ballet companies across the globe are in a new age of commissioning ...but none can match the pioneering zeal of this, the oldest American ballet company.
★★★★✰ A gleaming triptych of imaginative and remarkably demanding choreography. The production is textured in every aspect, plumbing deep wells of emotion and revelling in a multiplicity of tones, tempers and movement styles.
Alexei Ratmansky's Shostakovich Trilogy comprises Symphony #9, Chamber Symphony and Piano Concerto #1. Gallery by Foteini Christofilopoulou...
★★★✰✰ The choreography in Shostakovich Trilogy, which was co-commissioned by SFB and ABT and premiered in 2014, is as frustratingly capricious as the music.
★★★✰✰ The performance was thrilling ...because it marked the Aurora debut of soloist Wona Park, whose Kitri debut in the season-opening Don Quixote got loads of buzz. At just 19, she dances with an ease beyond her years...
★★★✰✰ I was thrilled to see Snowblind returning. It was by far my favorite offering of last year’s Unbound Festival because it captivates on every level: potent storytelling, emotive choreography, fitting design tropes and deep character development.
★★★★✰ A triple bill joining George Balanchine’s Divertimento No. 15, the San Francisco Ballet premiere of Benjamin Millepied’s Appassionata and Justin Peck’s Hurry Up, We’re Dreaming.
★★★✰✰ Snowblind is a great narrative ballet – the source material is striking and Marston’s interpretation of it, equally so.
★★★✰✰ Not all, but many pas de deuxs have a romantic subtext, whether intentional or not. But in Rodeo Peck has crafted a pas de deux celebrating introductions and the process of getting to know another person.
★★★★✰ "....that is what is marvelous about Forsythe's Pas/Parts. Would that more choreographers would offer that kind of brisk and bracing slap in the face."
★★★✰✰ By way of a défilé, the evening opened with the “Waltz of the Hours” from Balanchine and Danilova’s Coppélia ...Soloist Jennifer Stahl led two dozen girls from the SFB School, adorable in cotton-candy tutus.
Choreographed by artistic director Helgi Tomasson in 1994, the ballet is popular with audiences here and makes a satisfying coda to his thirtieth-anniversary season...
It’s a disconcerting feeling when you don’t respond to a piece that nearly everyone else agrees is revelatory. That’s the situation I find myself in with Alexei Ratmansky’s Shostakovich Trilogy.
Principal dancers Mathilde Froustey and Carlos Quenedit were exactly what the audience wanted on opening night.
San Francisco Ballet's Program 4 is a double bill coupling a welcome return of Robbins' Dances at a Gathering with a Liam Scarlett's Hummingbird.
Program 3 features Hans van Manen's Variations for Two Couples, William Forsythe's The Vertiginous Thrill of Exactitude, Manifesto by Myles Thatcher and “The Kingdom of the Shades” from La Bayadère.
America’s oldest ballet company, San Francisco Ballet, opened its eighty-second season with a triple bill that encapsulates the uniquely varied repertory developed by artistic director Helgi Tomasson...