"Minus 16" tag
Members of Kidd Pivot and students from NYU Tisch School of the Arts Department of Dance in Crystal Pite's Polaris.© Kevin Yatarola for Lincoln Center. (Click image for larger version)

Thomas Adès: Concentric Paths — Movements in Music – Works by Armitage, McGregor, Pite, Whitley – New York

While this is a generalization, it’s safe to say the most hotly anticipated work of the night was Pite’s Polaris, set to Adès’ work of the same name.

Sebastien Ramirez and Honji Wang in AP15.© Nika Kramer. (Click image for larger version)

Fall For Dance Festival – Program 2: Lucinda Childs, Semperoper Ballett, Wang Ramirez, Alvin Ailey – New York

“AP15, an award-winning work choreographed and danced by urban dance collaborators Sebastien Ramirez and Honji Wang, brought the other “wow” factor to Program 2.”

Rachael McLaren and Kirven Douthit-Boyd in Wayne McGregor's Chroma.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Lincoln Center Programs A & B – New York

Since becoming artistic director at Alvin Ailey American Dance Theater in 2011, Robert Battle has been steadily mixing up the company’s repertory, adding works by choreographers beyond its usual range: Paul Taylor, Ohad Naharin, and Wayne McGregor, to name just three.

Linda Celeste Sims and Jamar Roberts in Aszure Barton's LIFT.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theatre – Chroma, D-Man in the Waters (Part I), LIFT – New York

I have yet to see a less than full-throttle performance, even when a choreographer’s style does not quite fit the company’s technique…

Studio picture of Kirven James Boyd and Rachael McLaren.© Andrew Eccles. (Click image for larger version)

Alvin Ailey American Dance Theater – Minus 16 quad bill – Boston

The whole thing (Minus 16) wasn’t a piece of choreography so much as a choreographed event, and hands down one of the most delightful things I’ve ever seen.

Alvin Ailey American Dance Theater – Programs A, B & C – Berkeley, CA

Another surprising choice was Taylor’s Arden Court (1981), which opened Wednesday evening’s program. The dancers were simply stunning. I hate to say, but the parallel is that Miami City Ballet does Balanchine better than New York City Ballet. Not to denigrate Taylor’s dancers at all…

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