★★★✰✰ Delightful moments shone in both Shadow (part 1) and The Healer, though there were also moments with less clarity.
Tag - ODC Theater
★★★★✰ The SKETCH series, from Amy Seiwert’s Imagery, is one of my favorite summer dance events in San Francisco. The company dancers are always terrific, both technically and artistically.
★★★✰✰ A solid program overall, there were moments that satiated my craving for lightness and moments that challenged it.
★★★✰✰ Whether walking through space, cycling through a gestural sequence or dancing a technically demanding phrase the dancers were a real joy to watch. The choreography on the other hand, was more of a mixed bag.
★★★★✰ SFDanceworks is going places. Formed in 2014 by longtime San Francisco Ballet soloist James Sofranko, the relatively new company already finds itself in a season of expansion.
★★★★✰ Before heading to the premiere of Kristin Damrow & Company’s EAMES, which mines the life, work and relationship of legendary designers Ray and Charles Eames, some background research seemed a good idea...
★★★★✰ It can be fascinating to see how two artists, starting with the same media, create completely unique works.
★★★✰✰ Evaluating works in progress is a peculiar exercise. Without knowing what parts of a dance are complete or still conceptual, or where they fit within the context of a larger yet to be created piece a review is a guessing game.
★★★★✰ The work reflects Funsch at her razor-sharp best: rigorous and searingly self-discilplined in design, grounded and emotionally present in performance.
★★★★✰ Sixteen choreographers, 13 new works, 2 dancers, 70 minutes, 4 years in the making. That's the equation for Double Exposure, premiered by the San Francisco contemporary-dance duo RAWdance on Thursday, July 28. It's an epic production that is greater than the sum of its parts.
★★★✰✰ With this first season, Sofranko has proved himself a good curator of choreographic and dance talent, with a preference for loveliness in movement and movers.
★★★✰✰ What is the purpose of an artist’s manifesto? When does a defined creative vision ossify into a rigid, limiting doctrine?
Choreographer Gerald Casel describes his new work, Splinters in Our Ankles, as an exploration of the tinikling, a lively folk dance of the Philippines.
Vintage Macintosh computers play a central role in Mainframe, a new evening-length dance-theater work by San Francisco choreographer Katherine Hawthorne.
In the end, SKETCH is about the artists and their learning process, and it’s our good fortune that they share it with us in performance.
Ah, the brilliance of brevity. Scott Wells & Dancers plunge straight into Father On with a thirty-second audio track that sums up courtship, marriage,and conception.
This company is the definition of esprit de corps, period.
Amy Seiwert's Sketch series is about dancers taking risks. Aimée Tsao caught up with Sketch 3 and works by Seiwert, Marc Brew and Val Caniparoli...
Kate Weare, originally from the Bay Area and now based in New York, is easily the most intriguing choreographer in the festival. It certainly helps that she also has outstanding dancers...
Muriel [Maffre] was an inspiration for me because she got so many great roles even though she was tall. After she retired I started to get some of her old parts.