New York City Ballet – Balanchine, Robbins & Reisen quad bill – Washington
★★★✰✰ Opus 19 feels at once nostalgic, mysterious and dreamy…
Royal Ballet – Frankenstein – London
★★✰✰✰ Could Liam Scarlett’s monstrous Frankenstein be fixed with more, better surgery? Evidently not, in this revival, three years after its creation.
Scottish Ballet – Cinderella – Edinburgh
★★★★✰ The cast I saw at the first performance of this year’s Christmas touring season were the best (Ugly) Step-Sisters I’ve ever seen – take a bow Constance Devernay and Aisling Brangan.
Didy Veldman, Choreographer and Umanoove Director
Didy Veldman’s Umanoove are about to tour her latest work – The Knot – an examination of the social and personal significance of marriage in contemporary Western society. Diane Parkes has a word about the work and what makes Veldman tick
Natalia Osipova – ISADORA: A Tribute to Isadora Duncan in Two Acts (world premiere) – Costa Mesa
★★★✰✰ Half-narrative and semi-abstract, ISADORA hop-skips through the dancer’s life; it’s described in the program notes as a “freely interpreted biography,” and it cherry-picks around unsavory elements…
Les Etés de la Danse, Paris – Jerome Robbins Homage, Programme 2 – Miami City Ballet, Pacific Northwest Ballet, Perm Opera Ballet
★★★★✰ It’s been a very enjoyable homage to Robbins’s versatility…
Birmingham Royal Ballet – Romeo and Juliet – London
★★★★✰ It was a fine team performance from the company but particular honours go to Momoko Hirata’s Juliet who let us know what she was thinking and feeling at every moment.
Royal Ballet / Charlotte Edmonds – Piggy in the Middle, Sink or Swim – London
★★★✰✰ Piggy in the Middle is, in part, Edmonds’ tribute to Kenneth MacMillan, the 25th anniversary of whose death has been marked during the Royal Ballet’s 2017/2018 season.
San Francisco Ballet – Robbins: Ballet & Broadway quad bill – San Francisco
★★★★✰ There’s nothing like watching a woman crush a man’s neck with her thighs to make you go hmm, maybe that whole #MeToo thing has legs.
Washington Ballet – Romeo and Juliet – Washington
★★★✰✰ A strikingly beautiful ballerina, with a lissome body and expressive features, EunWon Lee is an ideal Juliet…
Lost Dog – Juliet and Romeo: A Guide to Long Life & Happy Marriage – London
★★★✰✰ Ben Duke’s speciality, in the works he devises for Lost Dog, the company he founded in 2004 with Raquel Meseguer, is conflating high art with low life – epic literature with everyday banalities.
New York Theatre Ballet – Beethoven/1999, Optimists, Dark Elegies, Double Andante – New York
★★★✰✰ All was danced with the quiet focus, lucidity, and unfussy delivery that characterize the company. No attention-grabbing fireworks…
New Adventures – Matthew Bourne’s Cinderella – London
★★★✰✰ While the production is supremely stylish and the characters well-observed with expressive and romantic choreography, the narrative is padded out in order to fill the music, particularly where traditional elements of “Cinderella” have been excised.
Washington Ballet – Les Sylphides, Le Corsaire pdd, Bolero, Prodigal Son – Washington
★★★★✰ It was a pleasure to see this company in such a smart and wide-ranging program. It was even more rewarding to see the Washington Ballet dancers masterly navigating the numerous challenges…
Mikhailovsky Ballet – Cinderella – St. Petersburg
★★★★★ It seems appropriate that I’ve travelled to Russia to find a Cinderella interpreter of movement and spectacle to match up to the genius of Prokofiev’s music.
Dutch National Ballet – Hans van Manen, Ode to the Master bill – Amsterdam
★★★★✰ An outstanding bill in showing Hans van Manen’s work for three companies and its rich contemporary diversity – it all looks so fresh and of today.
San Francisco Ballet – Stravinsky Violin Concerto, Prodigal Son, Diamonds – San Francisco
★★★✰✰ The soloists and principals of San Francisco Ballet brought unique interpretations to George Balanchine classics for the company’s fourth program of the season, a varied survey of Balanchine’s oeuvre.
Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet
Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…
San Francisco Ballet – Cinderella – Washington
★★★✰✰ Yet for all its narrative surprises and witty designs, this Cinderella is a curiously underwhelming work when it comes to the choreography.
Australian Ballet – Cinderella – London
★★★✰✰ …the production lurches between down-to-earth Aussie niceness and the designer’s European conceits…
