"Qualia" tag
Joseph Sissens in Charlotte Edmonds' jojo.© Maria Baranova. (Click image for larger version)

Royal Ballet dancers at the Joyce Ballet Festival – Program A, An Evening of Solos and Duets – New York

★★★✰✰   Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.

Russian Ballet Icons Gala 2019 Gala group photo.© Jack Devant. (Click image for larger version)

Russian Ballet Icons Gala 2019 – London

★★★✰✰   The annual Ballet Icons gala, now in its 14th year, aims to promote Russian culture while providing a Sunday evening’s entertainment for Russians in London and ballet-lovers…

Akane Takada in The Vertiginous Thrill of Exactitude.© Robbie Jack. (Click image for larger version)

Royal Ballet – Opening the New bill – Hull

★★★★✰   The Royal Ballet’s away-day to Hull, this year’s UK Capital of Culture, was dramatic in its scale: 17 pieces presented over three hours…

Cover of the Dance Open 2015 Gala programme.© Dance Open. (Click image for larger version)

International Ballet Festival 2015 Dance Open and Tsiskaridze at the Vaganova Academy – St Petersburg

Margaret Willis has just been in St. Petersburg, catching up with the Dance Open Festival and also visiting the Vaganova Academy where she had some words with director Nikolai Tsiskaridze…

Melissa Hamilton and Gary Avis in Alastair Marriott's Lieder pas de deux.© Dave Morgan. (Click image for larger version)

Gallery – Ann Maguire Gala – pieces by Alastair Marriott and Wayne McGregor

Gallery by Dave Morgan…

Marianela Nunez and Thiago Soares in Diamonds.© ROH/Tristram Kenton, 2011. (Click image for larger version)

Royal Ballet, Royal Opera House – A Gala Celebration: Life Reimagined – London

Both Royal Ballet premieres, one by Kim Brandstrup, the other by Liam Scarlett, were surely keepers, bound to be seen again.

Russian Ballet Icons – Nijinsky Gala – London

Though this year it was Nijinsky’s turn to be reclaimed as a Russian icon, the contents of the gala had little to do with him. Very probably the choice of items – mainly pas de deux – depended on which dancers were available to perform whatever was in their repertoire.

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