★★★★✰ The company seemed to be dancing with a special ferocity, as if to prove its worth and convince the world that this enterprise is, indeed, worth preserving and saving.
Tag - Robert Fairchild
Gallery by Foteini Christofilopoulou...
Congratulations to all from DanceTabs...
★★★★✰ After much tumult over the holidays, New York City Ballet has begun its first post-Peter Martins season. If you’re just catching up, the company’s “ballet master in chief” – ie artistic director – of over thirty years retired on New Years Day, in the midst of an investigation into allegations of physical abuse and sexual harassment.
Dancer, choreographer, actress, teacher, director, writer, and mentor, Carmen de Lavallade is a true artist in every sense of the word – and a true legend.
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 18th National Dance Awards...
★★★★✰ The oldest piece on the program is Wheeldon’s Polyphonia. Made in 2001, it has stood the test of time. Just last week it was performed at the Fall for Dance festival...
42nd Street ★★★★★ / An American in Paris ★★★★✰ - Jann Parry reviews "42nd Street" and takes another look at "An American in Paris", this time with Ashley Day partnering Leanne Cope...
★★★✰✰ It’s a shame that the company didn’t choose to revive some Wheeldon rarities from its back catalogue...
★★★★★ The ballet is a triumph, of course. It really is... Wheeldon and his collaborators have reclaimed the Gershwins’ music and songs for a five-star production...
Gallery by Dave Morgan...
★★★✰✰ More than anything, Peck's "The Times are Racing" reminded me of the movie Rebel Without a Cause. These kids are uneasy, but what is the object of their unease?
★★★✰✰ Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.
★★★★✰ Sara Mearns, who made her name as Swan Queen at the age of nineteen, is still the most thrilling Odette around.
★★★★✰ After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.
★★★★✰ The pleasure, above all, in watching this company is their fearless super-charge of energy and their commitment as the inheritors of Balanchine’s ballets.
★★★★✰ Balanchine himself once said that Serenade is “many things to many people.” If it is one thing to City Ballet, it is the single ballet which they are expected to do perfectly every time.
★★★✰✰ It wouldn’t be spring without ballet galas. This week it was New York City Ballet’s turn. On the program were two new works, by Christopher Wheeldon and the relatively unknown Nicolas Blanc, the latter a veteran of the New York Choreographic Institute.
★★★✰✰ Lauren Gallagher at New York City Ballet's Winter Season Opening where they introduced their new music director, Andrew Litton, in some style by naming the bill "Music Director's Choice"...
After its premiere in Paris last autumn, Christopher Wheeldon's An American in Paris is about to open in New York. Marina Harss talks to Wheeldon and the 2 stars of the show - Leanne Cope and Robert Fairchild...