Scottish Ballet have just announced plans for their Fiftieth Anniversary in 2019, including three world premieres - we have the full press release and touch-base with CEO/Artistic Director Christopher Hampson about the celebrations and what happens beyond...
Tag - Scottish Ballet
Jann Parry talks to The Royal Ballet about what's happening on World Ballet Day this year and just what it means for some of those involved... Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.
★★★✰✰ A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.
★★★★✰ World-class dancers... it's the dancers' polish and power that raises all they do up another level.
★★★★★ What Scottish Ballet wanted to do was take the full experience out to the Highlands and Islands. So the good folks in Lerwick (capital of the Shetland Isles, population 7,500) saw was the same show they got in Edinburgh and Glasgow...
★★★★✰ All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan's death with recreations of his early work.
Viviana Durante on her company and its showcasing of early Kenneth MacMillan works at London's Barbican on 18 — 21 Apr 2018. Bruce Marriott talks to one of the foremost MacMillan interpreters about her MacMillan celebration showcasing 3 very rarely seen works.
★★★★★ It must be tempting to get carried away by sentiment when it comes to celebrating both a 70th birthday and fifty years as a choreographer in a programme that also marks the departure of a special muse.
Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet...
★★★★✰ A charming, uplifting ballet that truly sets the scene for Christmas. A large part of the heart-warming effect was Darrell’s decision to populate the stage with children...
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 18th National Dance Awards...
★★✰✰✰ Bintley’s ‘Still Life’ at the Penguin Café saves a dispiriting evening by providing nimble demi-character dancing with a timely message, first delivered nearly 20 years ago.
★★★★✰ Elite Syncopations: Dancers from all five major British ballet companies took part, some doubling up roles in identical outfits so that identifying dancers was confusing. The stand-out solo in both the casts I saw was to the Calliope Rag, Monica Mason’s original role...
In the first of the mixed bills celebrating Kenneth MacMillan’s ballets, 25 years after his death, "Le Baiser de la fée" intrigued me because the questions it posed about his development as a choreographer...
Featuring dancers from Birmingham Royal Ballet, Scottish Ballet, The Royal Ballet, English National Ballet and Northern Ballet. Gallery by Dave Morgan...
★★★★✰ Absolutely fascinating... Scottish Ballet should feel very proud of celebrating MacMillan in such a thoughtful way...
★★★★✰ Gloria was Nixon’s first choice because he felt it showed MacMillan at his moving best. It contrasts Poulenc’s choral setting of the Latin text from the mass in praise of God with the toll of human lives in the First World War.
Scottish Ballet will be performing Kenneth MacMillan’s "Le Baiser de la fée" as part of the celebrations marking the 25th anniversary of his death. It will be the first revival of the ballet in 30 years - Jann Parry on the return of an important work.
★★★✰✰ I went to Bristol to catch Coppelia and the specific lead casting of Celine Gittens and Tyrone Singleton - who have now totally transitioned from being rising stars to fully risen Principals.
★★★★✰ This little trip made it abundantly clear we need to see more Ratmansky in the UK and Europe...