Jann Parry with some thoughts on the Darcey Bussell gala to raise funds for British Ballet and featuring Ballet Black, Birmingham Royal Ballet, English National Ballet, New Adventures, Northern Ballet, Rambert2, Scottish Ballet and The Royal Ballet.
Tag - Shostakovich
★★★✰✰ With works from Yuri Possokhov (Senseless Kindness), Sidi Larbi Cherkaoui (Laid in Earth), Stina Quagebeur (Take Five Blues), Russell Maliphant (Echoes) and Arielle Smith (Jolly Folly)
★★★✰✰ All three pieces (by Alexei Ratmansky, Danielle Rowe and Yuri Possokhov) were strong, though the program itself felt a bit curious.
★★★★✰ Program 3 features all-British choreographers: Peter Wright, Peter Darrell, Christopher Wheeldon, Matthew Bourne and Kenneth MacMillan. The exception is a solo by American Dominic Walsh, created for his own contemporary dance company. ...Some of the selections are probably unfamiliar to American audiences, as well as to British ballet fans of a younger vintage.
★★★★✰ Yuri Possokhov's contribution to ENB's digital season is based on the novel Life and Fate by Vasily Grossman – a War and Peace about the Soviet Union during World War II
★★★★✰ The singers had the lions' share of the concert, with just two pas de deux by Royal Ballet couples, Matthew Ball and Mayara Magri, Reece Clarke and Fumi Kaneko.
★★★★✰ Although starkly different in theme and intention, both 13 Tongues and Dust showcased the company’s unique blend of movement, drawn from classical and modern traditions...
★★★✰✰ The Vertiginous Thrill of Exactitude, the opening dance of the first program, is Forsythe burrowing into the neoclassical cannon and a nod to the style and traditions of George Balanchine.
★★★★✰ It is all too easy to assume that the first triple bill of the Royal Ballet's autumn season celebrates its creative heritage from the 1960s. In fact, two of the ballets were made for other companies...
Royal Ballet dancers at the Joyce Ballet Festival – Program A, An Evening of Solos and Duets – New York
★★★✰✰ Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.
★★★★★ A wildly surreal comic turn involves a dog riding a bicycle, both cunningly choreographed. He's actually a tractor driver in disguise, disrupting sexual assignations.
The Bolshoi Ballet are in London this summer with Spartacus, Swan Lake, The Bright Stream and Don Quixote. One of the world's greatest companies, here are Jann Parry's thoughts on an important visit...
★★★✰✰ The choreography in Shostakovich Trilogy, which was co-commissioned by SFB and ABT and premiered in 2014, is as frustratingly capricious as the music.
★★★✰✰ The vitality and drive of the troupe was palpable Wednesday night, as was a sense of collective energy to move forward – however rocky that movement might be.
★★★✰✰ A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.
★★★★✰ Maillot’s work is generally replete with a sense of irony and eroticism and Shakespeare gave him enormous scope for both!
★★★✰✰ In between the speeches and the short films came the dancing. The main attraction was the new Ratmansky work, Songs of Bukovina...
★★★★✰ Gloria was Nixon’s first choice because he felt it showed MacMillan at his moving best. It contrasts Poulenc’s choral setting of the Latin text from the mass in praise of God with the toll of human lives in the First World War.
★★★★✰ It was a well-balanced programme, featuring different kinds of discipline for future corps de ballet dancers, and honouring veteran choreographers as well as contemporary ones.
★★★✰✰ It’s a shame that the company didn’t choose to revive some Wheeldon rarities from its back catalogue...