★★★✰✰ Stunning images of Bolshoi ballerina Svetlana Zakahrova dressed as Coco Chanel whetted the appetite for the London Premiere of her latest how, Modanse.
Tag - Svetlana Zakharova
The aim of the annual festival is to celebrate Russian influence in international culture, thanks to Diaghilev’s productions in the first two decades of the 20th century... St Petersburg also wants to boost its reputation as ‘a great forum of the arts’, introducing contemporary creations from different nations to Russian audiences.
★★★✰✰ Happy for Zakharova who ultimately curated an interesting night, very happy to see her retinue of Bolshoi dancers and happy to see Donlon provide such final good cheer.
Gallery by Dave Morgan...
"It’s like a game of tennis – I hit the ball and she returns it.". Margaret Willis catches up with choreographer Patrick de Bana to talk about his choroegraphic life and latest project - contributing to Svetlana Zakharova's show Amore - which tours to the UK in November.
Nearly 2 years into his directorship at RNZB, Michelle Potter talks to Francesco Ventriglia about his life before joining the company and broad hopes for the company.
Dance on film is a tricky thing. On the one hand it provides a unique opportunity to see dance up close and to see foreign repertoires and artists; on the other, it lacks the intangible live chemistry that can electrify an opera house.
If there’s one thing you can say for Yuri Grigorovich’s 1968 ballet Spartacus, it’s that it gets its point across loud and clear.
It is even more disappointing that the troupe should open its run with a Swan Lake so lackluster... It’s not the dancers’ fault. At every level, the Bolshoi dancers move with thrilling force and fullness.
David Hallberg is a rarity in today’s classical ballet. Tall, lean and strikingly handsome, with pure classical line and impeccable dancing prowess, he is a genuine danseur noble.
![Lusymay Di Stefano and Claudio Coviello in [I]Giselle[/I].© Marco Brescia and Rudy Amisano, Teatro alla Scala. (Click image for larger version)](https://dancetabs.com/wp-content/uploads/2014/03/mb-giselle-lusymay-di-stefano-claudio-coviello-death_360.jpg)
The Festival kicked off with two classical ballet companies presenting very different versions of the oldest and most celebrated Romantic ballets in the repertoire: a classic rendering of Giselle and a radically different take on La Sylphide...
The Bolshoi’s glorious rising star, Olga Smirnova, was imperious...
Svetlana Zakharova cast - 20 pictures by Foteini Christofilopoulou
Grigorovich’s staging of Act III is masterly. He has the fakirs lull Solor into an opium-induced sleep in a setting that lifts away to reveal a rocky arch. Within it Solor sees a vision of Nikiya enticing him into a ballet blanc nirvana
Grigorovich’s production is not concerned with dramatic plausibility or characterisation, which may account for Zakharova’s Odette remaining a remote vision and her Odile a cool doppelganger rather than a temptress.
Maria Alexandrova/Ruslan Skvortsov and Svetlana Zakharova/Alexander Volchkov casts - 20 pictures
Though this year it was Nijinsky’s turn to be reclaimed as a Russian icon, the contents of the gala had little to do with him. Very probably the choice of items – mainly pas de deux - depended on which dancers were available to perform whatever was in their repertoire.
On Sunday 10 March the Russian Ballet Icons Gala, this year dedicated to the legendary Vaslav Nijinsky, will take place at the London Coliseum.
La Scala Ballet is often dismissed as a company without depth, a haven for international guest artists living on a steady regime of full-length ballets. And yet Makhar Vaziev, who left the Mariinsky to take the helm in Milan in 2008, has been taking on more ambitious projects, one baby step at a time...
Press Release London Coliseum to host tribute to Anna Pavlova Russian Ballet Icons Gala and Dinner 2012 Celebrating a centenary of Anna Pavlova making her home in London, at Ivy House The Russian Ballet Icons Gala 2012, a grand gala evening in honour of Anna Pavlova will be held on the 4th March on the stage of the English National Opera in London. Part of the Russian Ballet Icons series, the...