"Company B" tag
Lindsey Matheis and Joseph Kudra with Guzmán Rosado and Joseph Davis in Death Defying Dances by Arthur Pita.© Yi-Chun Wu. (Click image for larger version)

BODYTRAFFIC – Death Defying Dances, 3 Preludes, Private Games: Chapter One – New York

★★✰✰✰   BODYTRAFFIC, the Los Angeles-based contemporary dance troupe, drew a robust crowd to the Joyce on Friday night.

Jack Lister in Natalie Weir's We who are left.© David Kelly. (Click image for larger version)

Queensland Ballet – Lest We Forget: We who are left, Company B, In the Best Moments – Brisbane

★★★★✰   Natalie Weir’s “We who are left” is nothing less than a knockout.

Paul Taylor's American Modern Dance in Taylor's Dilly Dilly.© Paul B. Goode. (Click image for larger version)

Paul Taylor’s American Modern Dance – David H. Koch season – New York

★★★✰✰   The past few years have seen the beginning of a transformation of the Paul Taylor Dance Company – or, rather, as it’s now known, of Paul Taylor’s American Modern Dance. The company is looking to the future…

James Whiteside in Marcelo Gomes’ AfterEffect.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – AfterEffect, (Company B, The Green Table) – New York

…mostly the ballet (AfterEffect) is an enthusiastic love letter from Gomes to his company, and was received as such by the enthusiastic audience at the Koch…

ABT in The Green Table.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – After You, Le Spectre de la Rose, Valse Fantaisie, The Green Table, Valse Fantaisie, Company B – New York

A highlight of the season is the return of Kurt Jooss’s The Green Table, made in 1932. This meditation on the folly of war in eight scenes has lost none of its punch…

Robert Kleinendorst and Michael Trusnovec in Sunset.© Paul B. Goode. (Click image for larger version)

Paul Taylor – Sunset, Death and the Damsel, Brandenburgs, Company B, Passacaglia and Fugue, Piazzolla Caldera – New York

The Paul Taylor Dance Company, rechristened Paul Taylor’s American Modern Dance, is in the midst of its yearly three-week New York run at the Koch Theater. This is a pivotal time for the company…

James Sanson and Laura Halzack in Byzantium.© Paul B. Goode. (Click image for larger version)

Paul Taylor Dance Company – NY Spring Season – New York

Taylor’s dancers continue to move with their particular combination of generosity and tirelessness. They come in different sizes and types, like the rest of us…

BODYTRAFFIC in Kollide.© Christo Brock. (Click image for larger version)

BODYTRAFFIC – Barak Marshall, Kyle Abraham, Richard Siegal bill – San Francisco

This company is the definition of esprit de corps, period.

All American Alston DVD cover.© The Place. (Click image for larger version)

DVD – Richard Alston Dance Company – All American Alston

The music for all three of the pieces on Richard Alston’s latest DVD may be ‘all American’ but the choreography isn’t: there’s nothing here to dilute Alston’s reputation as the most ‘all English’ of today’s major dancemakers…

Parisa Khobdeh and Michelle Fleet in Offenbach Overtures.© Paul B. Goode. (Click image for larger version)

Paul Taylor – Gala: Junction, 3 Epitaphs, Perpetual Dawn, Offenbach – New York

Opening night was a gala performance; one might have expected Esplanade, or Arden Court, but that’s just not Taylor’s style. For a choreographer who has been criticized for being too popular in his tastes, Taylor can be very odd indeed.

Paul Taylor Dance Company – 7 works over 2 bills – Paris

The seven works I saw over two nights started with Aureole and ended with Esplanade, and even in these less than perfect circumstances it’s impossible to resist the enchantment of these two masterpieces. Aureole especially seems to me the essence of Paul Taylor…

Alvin Ailey American Dance Theater – Programs A, B & C – Berkeley, CA

Another surprising choice was Taylor’s Arden Court (1981), which opened Wednesday evening’s program. The dancers were simply stunning. I hate to say, but the parallel is that Miami City Ballet does Balanchine better than New York City Ballet. Not to denigrate Taylor’s dancers at all…

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