"Craig Salstein" tag
Carousel with choreography by Justin Peck.© Julieta Cervantes. (Click image for larger version)

Rodgers & Hammerstein’s Carousel (choreography by Justin Peck) – New York

★★★★✰   One of the most attractive things about the production is the way it brings together various worlds: ballet, Broadway, and opera.

Alessandra Ferri in Romeo and Juliet.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet with Alessandra Ferri – New York

★★★★✰   One can only imagine the satisfaction of dancing such a role at the age of 53, to a full house, among friends. The ovations were rapturous and went on for a long time.

Jeffrey Cirio in Le Corsaire.© MIRA. (Click image for larger version)

American Ballet Theatre – Le Corsaire – New York

★★★✰✰   Le Corsaire, a ballet loosely based on Lord Byron’s poem about a chivalrous pirate, has more action than the latest Bond film. There are pirates! Abductions! Beautiful women in distress! The list goes on and on…

Misty Copeland and Herman Cornejo in La Fille mal gardée.© MIRA. (Click image for larger version)

American Ballet Theatre – La Fille Mal Gardée – New York

★★★★★   La Fille Mal Gardée is a ballet that glows from within, lighthearted, tender and bursting with happy ideas.

American Ballet Theatre in Ashton's Sylvia.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Sylvia – New York

★★★★✰   Part of the secret to Sylvia is of course Léo Delibes’s score; like the story, it has its silly moments, but when it soars, it is utterly seductive…

Misty Copeland and Alexandre Hammoudi in Romeo and Juliet.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet (Copeland/Hammoudi) – New York

The million-dollar question for any dancer on the cusp is this: can they carry an evening-length story ballet? The answer, on the evidence of Copeland’s début in Romeo and Juliet, is yes.

American Ballet Theatre in Alexei Ratmansky’s The Sleeping Beauty.© Doug Gifford. (Click image for larger version)

American Ballet Theatre – The Sleeping Beauty – New York

Perhaps the most striking element in Alexei Ratmansky’s new Sleeping Beauty for American Ballet Theatre is its musicality, the way the steps, peppered with accents and breaths, unspool within the music.

Roman Zhurbin and Craig Salstein in Cinderella.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Cinderella – Washington

Both nights that I attended were blessed with an exquisite Cinderella. Gillian Murphy gave this production a beating heart with her tenderly expressive and incisive performance…

Roman Zhurbin and Craig Salstein in Cinderella.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Cinderella – New York

To fully enjoy Ashton, one has to be willing to acquiesce to one’s own softer impulses, a sense of wonder and perhaps a little nostalgia, and to surrender the loveliness of small things.

Twyla Tharp.© Richard Avedon. (Click image for larger version)

Bringing Twyla Tharp’s Bach Partita Back

Because of the ephemeral nature of choreography, it’s unusual for a ballet that has lain dormant for decades to return to life. But this fall, it will…

Scene from Le Corsaire.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Le Corsaire – New York

American Ballet Theatre have a new production of Le Corsaire. Eric Taub sees the headline casting of Natalia Osipova and Ivan Vasiliev – but was he moved and wowed? Not really…

Hee Seo in Romeo and Juliet.© John Grigaitis. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet – New York

American Ballet Theatre are dancing Kenneth MacMillan’s Romeo and Juliet. Marina Harss reviews 2 casts: Polina Semionova / David Hallberg and Roberto Bolle / Hee Seo…

Julie Kent and Roberto Bolle in Marcelo Gomes' Apothéose.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

Symphony in C, a luminous outpouring of legs and arms, crisp geometries, bobbing rhythms, and articulate patter-like conversations for the feet, is a vivid reminder of why one goes to the ballet at all. Luminosity and classical logic, laced with wit and intelligence.

Veronika Part and Roberto Bolle in Symphony #9.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Symphony in C, Moor’s Pavane, Symphony #9 – Washington

…with choreographic masterpieces by George Balanchine and José Limón and a Washington D.C. premiere of Alexei Ratmansky’s new work, this ABT program was in every way a balletomane’s dream come true.

Polina Semionova in Romeo and Juliet.© and provided by HK Leisure & Cultural Services Department(Click image for larger version)

American Ballet Theatre – Hong Kong Arts Festival Season – Hong Kong

The season began with a high-energy mixed bill which showed the company on sparkling form.

Polina Semionova and Marcelo Gomes in Alexei Ratmansky's Symphony #9.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – New Ratmansky, Symphony #9 – New York

Tonight’s premiere of Ratmansky’s newest work for American Ballet Theatre, Symphony #9, was cause for celebration. In fact, it left me feeling almost lightheaded, and terribly eager to see it again, as soon as possible.

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