"Lorena Feijoo" tag
San Francisco Ballet School students in Balanchine’s Serenade.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet and School – Student Showcase, Promotions and Company Joiners

San Francisco exists in its own world, out here on the distant West Coast. The San Francisco Ballet, though, just became more global than ever, with new 2017-18 members joining from around the world. The company school, which presented its annual Student Showcase 31 May through 2 June at YBCA Theater, draws international students as well…

Dores André and Aaron Robison in Pita's Salome.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Fusion, Salome (premiere), Fearful Symmetries – San Francisco

★★★★★   Pita’s Salome is pure postmodern dance-theater, and a five-star surprise on the Opera House stage.

Lorena Feijoo in Possokhov's Optimistic Tragedy.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Seven Sonatas, Optimistic Tragedy (premiere), Pas/Parts 2016 – San Francisco

★★✰✰✰   The trouble with Program 2 is its centerpiece, choreographer-in-residence Yuri Possokhov’s new work ‘Optimistic Tragedy’.

Madeline Skelly and Connor Walsh of Houston Ballet in Forsythe's Artifact Suite.© Amitava Sarkar. (Click image for larger version)

Celebrate Forsythe – Pas/Parts 2016, The Vertiginous Thrill of Exactitude, Artifact Suite – Los Angeles

★★★★✰   San Francisco Ballet, Pacific Northwest Ballet and Houston Ballet have come together in LA to celebrate William Forsythe probably the most influential ballet choreographer of his generation. Claudia Bauer reports on a fine night…

Sofiane Sylve in Scarlett's Fearful Symmetries.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Fearful Symmetries (premiere), Rubies, Drink to Me Only with Thine Eyes – San Francisco

★★★✰✰ “But despite his high concept, Scarlett seemed to lose the thread halfway through, resorting to lascivious theatrics to complete the work…”

San Francisco Ballet School students in the Waltz of the Hours from Balanchine's Coppélia.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Opening Night Gala – San Francisco

★★★✰✰ By way of a défilé, the evening opened with the “Waltz of the Hours” from Balanchine and Danilova’s Coppélia …Soloist Jennifer Stahl led two dozen girls from the SFB School, adorable in cotton-candy tutus.

Dores André.© Chris Hardy. (Click image for larger version)

Dores André – Principal, San Francisco Ballet

If it was up to me, I would pay more [salary] to the corps than to the principals. Half the ballet depends on them, and it is very hard to be in a good mood and trying your hardest every day when you are not getting the attention and the development that we get as principals and soloists.

Yuan Yuan Tan and Pascal Molat in Possokhov's RAkU.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Prog 1: Serenade, RAkU, Lambarena – San Francisco

America’s oldest ballet company, San Francisco Ballet, opened its eighty-second season with a triple bill that encapsulates the uniquely varied repertory developed by artistic director Helgi Tomasson…

Maria Kochetkova and Davit Karapetyan in Possokhov's Bells.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Infinite Romance: 2015 Season Opening Night Gala – San Francisco

The SF Ballet premiere of choreographer-in-residence Yuri Possokhov’s pas de deux from Bells is my all-round favorite of the evening. Sublime dancing from Maria Kochetkova and Davit Karapetyan…

San Francisco Ballet in Liam Scarlett's Hummingbird.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Caprice, Hummingbird, Symphonic Dances – Paris

Audience applause during the evening recognised that Scarlett’s Hummingbird was the starry centrepiece of the three Paris premieres.

Yuan Yuan Tan and Davit Karapetyan in Tomason's Giselle.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Giselle – San Francisco

Though Tan dances with a wonderful lightness and an elegance not quite suited to a naïve peasant girl, she never really emotionally engages with the ardent Karapetyan, who possesses nuanced acting and strong technique, and deserves to have a partner who can match his level of commitment to crafting a role.

Sarah Van Patten and Anthony Spaulding in Hans van Manen's Variations for Two Couples.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – 2014 Opening Night Gala – San Francisco

The best all-round piece of the evening is Hans van Manen’s Variations for Two Couples, from the exquisitely concise choreography by this still-relevant master…

Lorena Feijoo and Vitor Luiz in Caniparoli's Ibsen's House.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Raymonda Act III, Ibsen’s House, Symphonic Dances – San Francisco

The highlight of the program is Lorena Feijóo’s return to the stage in more than one ballet during the evening. After being out on maternity leave for a year …is dancing better than ever.

Toba Singer and the book cover of Fernando Alonso, The Father Of Cuban Ballet.© Toba Singer and University Press of Florida.

Toba Singer, writer, on Fernando Alonso – The Father Of Cuban Ballet

Alonso trained the first generation of Cuban dancers, among who there were many standouts, but the most well-known in Cuba were the “Four Jewels” of Cuban ballet: Josefina Méndez, Mirta Pla, Aurora Bosch, and Loipa Araújo (now Associate Artistic Director of English National Ballet)

San Francisco Ballet in McGregor's Borderlands.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Borderland (premiere), Suite en Blanc, In the Night – San Francisco

The highly anticipated world premiere of Wayne McGregor’s Borderlands, commissioned by SF Ballet, meets with a standing ovation.

Yuan Yuan Tan and Damian Smith in Wheeldon's After The Rain.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – 80th Season Gala Opening – San Francisco

Perhaps the best pas de deux of the evening, judging by the audience reaction, is one from Christopher Wheeldon’s After the Rain.

Frances Chung and Pascal Molat in Page's Guide To Strange Places. © Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Programs 5 and 6 (Liang/Page premieres) – San Francisco

Calling this ballet a guide (Guide To Strange Places) is not really precise because it’s more like a portal that lets you in and then leaves you on your own to figure out where you are. Whether you have absolutely no sense of direction or can find your way anywhere blindfolded could determine how you explore this terrain

DanceTabs © 2017 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.