"Maurice Bejart" tag
Jennifer Stahl, Garen Scribner and James Sofranko in Possokhov's The Rite of Spring.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Guide to Strange Places, Beaux, Rite of Spring – San Francisco

Possokhov’s Rite of Spring is a mixture of mostly good choices with a few that seem rather odd to me.

Marie-Agnes Gillot and Jeremie Belingard in The Prodigal Son.© Sebastien Mathe / OnP. (Click image for larger version)

Paris Opera Ballet – Serenade, The Prodigal Son, Agon – Paris

The company danced Serenade well but the very simplicity in its choreography, created as it was initially for students, ironically makes it hard to produce a perfect performance…

Shantala Shivalingappa in Gamaka.© C.P.Satyajit. (Click image for larger version)

Interview: Shantala Shivalingappa – Dancer and Choreographer

Shivalingappa first caught my eye at the 2007 Fall For Dance festival, where she danced Varnam, a Kuchipudi solo. I was immediately struck by her musicality, the power and precision of her footwork, and the absolute clarity of her movements. And to the grace of her upper body and a jump that seems to comes out of nowhere, light and airy as a cat’s.

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Artistic Director Tamara Rojo Announces English National Ballet New Season

To be honest I don’t think her first announcements are a landmark in repertoire terms – but it was never going to be unless some ballet fairy deposited a few extra million in the company coffers to allow instant change.

Nicolas Le Riche and Paris Opera Ballet in Maurice Bejart's Bolero.© Stephanie Berger. (Click image for larger version)

Paris Opera Ballet – Suite en Blanc, L’Arlesienne, Bolero – New York

Nicolas Le Riche was fabulously predatory in Bolero, a raging furnace of self-love and sex appeal. One imagines that after the show he must have ravaged a hundred virgins, but maybe he simply went home and soaked his feet in the tub, but in any case, he was magnificent, good taste (and choreography) be damned.

Shantala Shivalingappa in Ibuki from the Namasya bill.© Laurent Philippe. (Click image for larger version)

Shantala Shivalingappa – Namasya bill – New York

Disappointment is an inevitable part of theatre-going – I mean, how often do performances live up to our expectations? – but it is especially hard to swallow when it comes at the hands of one of the artists we most admire….

Sylvie Guillem in William Forsythe’s Rearray. © Bill Cooper. (Click image for larger version)

Sylvie Guillem – 6000 Miles Away – New York

The crowd erupted in cheers. Ek’s piece hints at another side of Guillem, a goofier, simpler human being beneath the veneer of the icon. If it feels a little coy, well, maybe it is, maybe it isn’t. It’s a smart, well-calibrated program in every sense.

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