"Monotones II" tag
Victoria Hulland, Ricardo Graziano and Ricardo Rhodes in Ashton's Monotones II.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York

★★✰✰✰   After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.

Marianna Krempeniou, Liam Riddick, Oihana Vesga Bujan, Nancy Nerantzi and Elly Braund in Richard Alston's Rejoice in the Lamb.© Chris Nash. (Click image for larger version)

Fall For Dance Festival – Program 2: Richard Alston, Aszure Barton, Wendy Whelan, Edward Watson, Grupo Corpo – New York

★★★✰✰   One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.

Valeri Hristov, Marianela Nunez and Edward Watson in Monotones II.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version

Royal Ballet – Monotones I & II, The Two Pigeons – London

Monotones II: Audiences are now accustomed to the manic acrobatic contortions of modern choreography, so it is rewarding to see the rigour with which the three performers (Marianela Nunez, Valeri Hristov and Edward Watson) control their elasticity.

Ako Kondo, Cristiano Martino, Robyn Hendricks and Amber Scott in Symphonic Variations.© Daniel Boud. (Click image for larger version)

Australian Ballet – Ashton bill: The Dream, Monotones II, Symphonic Variations – Sydney

After the long famine, Ashton’s ballets made a welcome return this week with the company’s triple bill under the umbrella title, The Dream.

Matthew Sandiford and Adam Kirkham in McNally's MeTheus.© Dave Morgan. (Click image for larger version)

BalletBoyz, The Talent, at Deloitte Ignite 2014 – The Murmuring, MeTheus, Mesmerics – London

I like McNally’s sense of fun but I also like this more serious side because the movement is also fresh and unpredictable. Of all the ballet choreographers coming through I think hers is one of the most original voices.

Danielle Brown and Ricardo Rhodes in Frederick Ashton's Birthday Offering.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Sir Frederick Ashton Festival, Programmes 1-4 – Sarasota

Both as a tribute to Ashton and as a coming-out party, it’s hard to imagine how the festival could have gone better. The ballets are in good hands.

Dusty Button in William Forsythe’s The Second Detail.© Dave Morgan. (Click image for larger version)

2013 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Sergei Polunin and Tamara Rojo in Marguerite & Armand.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – Ashton Bill including Marguerite & Armand with Rojo and Polunin – London

But it was Rojo who really surprised me, with the most emotionally open performance I’ve ever seen from her. …a swansong, indeed: what a way to go!

© Joffrey Ballet

The Joffrey Ballet – Age of Innocence, After the Rain, The Green Table – San Francisco

Closing the program is Kurt Jooss’s anti-war ballet from 1932,The Green Table, one of the greatest pieces of choreography ever created and still relevant after more than 80 years.

Royal Ballet and ROH2 Dance – the 2012-13 Season

An important event yesterday – the Royal Opera House annual press conference – with Kevin O’Hare announcing his first season as incoming Royal Ballet Director. He takes over from Monica Mason in the…

Frederick Ashton Foundation and Christopher Nourse

Not Trusting to Fate – The Frederick Ashton Foundation’s avowed purpose is to perpetuate the choreographer’s legacy. But to do so, it needs the co-operation of those to whom Ashton willed his ballets…

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