"New York City Ballet" tag
Simone Messmer and Miami City Ballet dancers in The Fairy’s Kiss. Choreography by Alexei Ratmansky.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – The Fairy’s Kiss, Walpurgisnacht Ballet, Polyphonia – Miami

★★★★✰   The Fairy’s Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.

Annabelle Lopez Ochoa.© Titus Tiel Groenestege. (Click image for larger version)

Interview – Annabelle Lopez Ochoa, choreographer, on working with Danza Contemporánea de Cuba

Annabelle Lopez Ochoa, the award winning choreographer, chats with Diane Parkes about working with Danza Contemporánea de Cuba. The ‘high powered’ and much admired company are about to tour the UK with one of her works and we wanted to know more…

Tiler Peck in Justin Peck's The Times are Racing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Times are Racing, The Shimmering Asphalt, Fearful Symmetries – New York

★★★✰✰   More than anything, Peck’s “The Times are Racing” reminded me of the movie Rebel Without a Cause. These kids are uneasy, but what is the object of their unease?

Koto Ishihara, Francisco Mungamba and Wei Wang in Bubeníček's Fragile Vessels.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Haffner Symphony, Fragile Vessels (premiere), In the Countenance of Kings – San Francisco

★★★★✰   The company’s first regular-season commission from Czech choreographer Jiří Bubeníček, “Fragile Vessels”, is a 40-minute meditation on love, loss and reconciliation.

Taylor Stanley, Anthony Huxley and Brittany Pollack in Justin Peck's Scherzo Fantastique.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Stravinsky x Five bill – New York

★★★✰✰   Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.

Sara Mearns and Jared Angle in Swan Lake.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sonnambula, Prodigal Son, Firebird, Allegro Brillante, Swan Lake, Four Temperaments – New York

★★★★✰   Sara Mearns, who made her name as Swan Queen at the age of nineteen, is still the most thrilling Odette around.

Alvin Ailey American Dance Theater in Hope Boykin's r-Evolution, Dream.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Four Corners, Untitled America, r-Evolution, Dream, Revelations – New York

★★★★✰   There is no limit to how often one can see Ailey’s 1960 masterpiece Revelations. The elation is always the same.

Isabella Boylston and Calvin Royal III in Wheeldon's This Bitter Earth.© Erin Baiano. (Click image for larger version)

Vail Dance Festival – ReMix NYC – New York

★★★★✰   After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.

Suzanne Farrell Ballet in Danses Concertantes.© Paul Kolnik. (Click image for larger version)

Suzanne Farrell Ballet – Danses Concertantes, Gounod Symphony, Stars and Stripes – Washington

★★★★✰   Watching this immensely entertaining program one realizes that even a minor Balanchine ballet is still a great ballet.

Daniil Simkin and Blaine Hoven in Alexei Ratmansky's Serenade after Plato’s Symposium.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Serenade after Plato’s Symposium, Symphonic Variations, Brahms-Haydn Variations + Fall Gala – New York

★★★★✰   A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.

Wang Ramirez - Honji Wang and Sebastien Ramirez.© Filine Fink. (Click image for larger version)

Interview – Sebastien Ramirez and Honji Wang, choreographers, performers and collaborators – now with Nitin Sawhney

Interview – Sébastien Ramirez and Honji Wang are about to collaborate with composer, and Sadler’s Wells Associate Artist, Nitin Sawhney at the Royal Albert Hall. We wanted to know more about the dynamic and well connected pair…

Marianna Krempeniou, Liam Riddick, Oihana Vesga Bujan, Nancy Nerantzi and Elly Braund in Richard Alston's Rejoice in the Lamb.© Chris Nash. (Click image for larger version)

Fall For Dance Festival – Program 2: Richard Alston, Aszure Barton, Wendy Whelan, Edward Watson, Grupo Corpo – New York

★★★✰✰   One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.

Lauren King, Abi Stafford, Megan Fairchild, Ana Sophia Scheller and Sterling Hyltin in Divertimento No. 15.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Divertimento No. 15, Episodes, Vienna Waltzes – New York

★★★★✰   Divertimento’s aura still shines; you want to see it again, to figure out its fluid, almost magical transitions. It’s a shame it will only be performed four times this season; it takes more than that for the audience, and the dancers, to really get to know it.

New York City Ballet in Peter Walker's Ten in Seven.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala 2016 – New York

★★★✰✰   The pattern is set: the company commissions works from three or four choreographers, often quite young, and pairs them with prominent designers. The works are short, and are introduced by filmlets…

Jamar Roberts in Rennie Harris' Exodus.© Foteini Christofilopoulou. (Click image for larger version)

Alvin Ailey American Dance Theater – Programmes A and B – London

★★★★✰   Revelations is always a joy, however often one sees it. Ailey’s choreography, influenced by his mentor, Lester Horton, and Martha Graham, is a reminder of how potent that modern dance technique could be.

Joaquin De Luz, Friedemann Vogel, Denis Matvienko and Marcelo Gomes in Tristesse.© Michael Khoury. (Click image for larger version)

Ardani 25 Dance Gala – Clay, Tristesse, Le Divertissement du Roi – New York

★★✰✰✰   So bravo for Danilian. All the dancing at the gala was very fine – who could expect any less from these dancers? One can (and should) question his taste but it’s clear that he’s willing to go out on a limb…

Reed Tankersley in Brahms Paganini by Twyla Tharp.© Yi-Chun Wu. (Click image for larger version)

Twyla Tharp Dance – Country Dances, Beethoven Opus 130, Brahms Paganini – New York

★★★✰✰   Twyla Tharp is a kind of dance wizard – steps pour out of her like torrents in a waterfall.

Sterling Hyltin and Amar Ramasar in Symphony in Three Movements.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, The Four Temperaments, Duo Concertant, Symphony in Three Movements – Paris

★★★★✰   The pleasure, above all, in watching this company is their fearless super-charge of energy and their commitment as the inheritors of Balanchine’s ballets.

Ethan Fuller in The Four Temperaments (First Variation: Melancholic), choreography by George Balanchine © The George Balanchine Trust.© Paul Kolnik. (Click image for larger version)

School of American Ballet – Workshop Performance: Danses Concertantes, Les Gentilhommes, The Four Temperaments – New York

★★★★✰   Each spring, the School of American Ballet, New York City Ballet’s breeding-ground, holds a series of “Workshop” performances to show off the crème de la crème of its upper-level students.

Miriam Miller and Anthony Huxley in Midsummer Night’s Dream.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Midsummer Night’s Dream – New York

★★★★✰   But the kids are just one element of what makes Midsummer tick. Another is the intelligence and efficiency with which the ballet tells its story.

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