"Revelations" tag
Robert Carter in The Dying Swan.© Emma Kauldhar. (Click image for larger version)

Les Ballets Trockadero de Monte Carlo (Trocks) – Les Sylphides bill – London

★★★★✰   The curtain calls for Robert Carter’s “Dying Swan” are nearly as long as the ballet itself and just as funny.

Carmen de Lavallade immediately after receiving her Honors medallion.© John P. Filo/CBS. (Click image for larger version)

Carmen de Lavallade Honoured at The 40th Annual Kennedy Center Honours

Dancer, choreographer, actress, teacher, director, writer, and mentor, Carmen de Lavallade is a true artist in every sense of the word – and a true legend.

Chalvar Monteiro in Jamar Roberts' Members Don't Get Weary.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – 2 premieres: Victoria & Members Don’t Get Weary + many more – New York

★★★★✰   Roberts’ “Members Don’t Get Weary” is very much a mature work with a strong emotional charge and esthetic signature.

AAADT in Billy Wilson's The Winter in Lisbon.© Christopher Duggan. (Click image for larger version)

Alvin Ailey American Dance Theater – The Winter in Lisbon, Mass, Ella, Revelations – New York

★★★✰✰   I often get the feeling that the Ailey dancers transcend the choreography they’re asked to dance. With the exception of the inescapable Revelations, the company’s repertory can be hit or miss.

Lindsey Matheis and Joseph Kudra with Guzmán Rosado and Joseph Davis in Death Defying Dances by Arthur Pita.© Yi-Chun Wu. (Click image for larger version)

BODYTRAFFIC – Death Defying Dances, 3 Preludes, Private Games: Chapter One – New York

★★✰✰✰   BODYTRAFFIC, the Los Angeles-based contemporary dance troupe, drew a robust crowd to the Joyce on Friday night.

Tamara Rojo in Annabelle Lopez Ochoa’s Broken Wings.© Dave Morgan. (Click image for larger version)

Memorable Performances of 2016 – London

Lynette Halewood with her personal selection of London dance memories from the past year…

Alvin Ailey American Dance Theater in Hope Boykin's r-Evolution, Dream.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Four Corners, Untitled America, r-Evolution, Dream, Revelations – New York

★★★★✰   There is no limit to how often one can see Ailey’s 1960 masterpiece Revelations. The elation is always the same.

The Finale of Dance Proms 2016.© Elliott Franks. (Click image for larger version)

Dance Proms 2016 – Royal Albert Hall, London

★★★★✰   …the event is less about showing off the talents of dancers and their teachers than celebrating their hard work and dedication.

Linda Celeste Sims in Alvin Ailey's Cry.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Programme C – London

★★★★✰   I saw Programme C at Sadler’s Wells and like practically everybody else, have to rave about the dancers.

Jamar Roberts in Rennie Harris' Exodus.© Foteini Christofilopoulou. (Click image for larger version)

Alvin Ailey American Dance Theater – Programmes A and B – London

★★★★✰   Revelations is always a joy, however often one sees it. Ailey’s choreography, influenced by his mentor, Lester Horton, and Martha Graham, is a reminder of how potent that modern dance technique could be.

Alvin Ailey American Dance Theater in Abraham's Untitled America: Second Movement.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Open Door, Untitled America: Second Movement, No Longer Silent, Exodus, Deep, Vespers, The Hunt, Revelations – New York

★★★✰✰   It’s a truism that any afternoon that includes Alvin Ailey’s Revelations is apt to leave you happy.

Alvin Ailey American Dance Theater performs Robert Battle's Awakening.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Open Door, Awakening, A Case of You, Revelations – San Francisco

★★★✰✰   Alvin Ailey American Dance Theater gave two new works their West Coast premieres on Tuesday at Zellerbach Hall, the opening night of its annual residency at Cal Performances in Berkeley.

Jacqueline Green in Kyle Abraham's Untitled America: First Movement.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Memoria, Piazzolla Caldera, Grace, Polish Pieces, Untitled America: First Movement, Awakening, Revelations – New York

Warmth, exuberance, power, finesse – all these qualities infuse everything they do.

Linda Celeste Sims and Glenn Allen Sims in Alvin Ailey's Revelations.© Andrew Eccles. (Click image for larger version)

Alvin Ailey American Dance Theater – Toccata, After the Rain pdd, Awakening, Revelations – New York

Every fall, just after Thanksgiving, Alvin Ailey American Dance Theater sets up shop at City Center, as sure a sign of the season as Christmas carols at the grocery store.

James Gilmer and Sarah Cecilia Griffin in Seiwert's Traveling Alone.© David DeSilva. (Click image for larger version)

Amy Seiwert’s Imagery – SKETCH 5: Stirred Program – San Francisco

In the end, SKETCH is about the artists and their learning process, and it’s our good fortune that they share it with us in performance.

Alvin Ailey American Dance Theater in Robert Battle's No Longer Silent.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Exodus, Strange Humors, No Longer Silent, Revelations – New York

Battle (in No Longer Silent) responds with a brilliant visualization of the music’s intricate parts, a kind of neo-Rite of Spring for our time.

Jamar Roberts in Exodus.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Exodus bill – New York

Harris’s Exodus, on the other hand, felt just right. Like so many pieces in the Ailey repertory, it suggests a spiritual quest, a journey toward the light…

Alvin Ailey American Dance Theater in Revelations.© Christopher Duggan. (Click image for larger version)

Alvin Ailey American Dance Theater – Odetta, Bad Blood, Caught, Revelations – San Francisco

The company has performed here annually since 1968 and considers Berkeley its home away from home, both for the synergy it feels with the Cal Performances staff and the receptive local audience.

Rachael McLaren and Yannick Lebrun in Bad Blood.© Steve Wilson. (Click image for larger version)

Alvin Ailey – Odetta, Uprising, Night Creature, Awassa Astrige/Ostrich, Bad Blood, After the Rain pas de deux, Revelations – Boston

The second night… this was by far the best program I’ve ever seen Ailey offer: five pieces, each as good as the others in its different way…

Alvin Ailey American Dance Theater in Hofesh Shechter's Uprising.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Uprising, Grace, Revelations – New York

On the 13 December 2014, as the Millions March protest – on the shooting of unarmed African-American men by police – was happening in NY, Shanti Crawford was at City Center seeing Alvin Ailey perform Hofesh Shechter’s Uprising. It really hit home…

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