Archive - July 2012

Interviews

Mikko Nissinen – Boston Ballet – Artistic Director

"I think for me the high point is that I don’t see Boston audiences as having any limitations. When I got here everybody was telling me what I couldn’t do and people warned me to play it safe. But I have found people extremely open and willing to explore and I’m really thrilled about that."

Reviews

Ballet Manila – World Stars of Ballet Gala – Manila

A 40-hour round trip to watch a ballet gala on the other side of the world might be seen as a trifle obsessive by some and perhaps it is. But galas tend to be two a penny these days and this one was certainly very different, both in terms of being in aid of a unique and wonderful cause and in the spectacular diversity of remarkable dancing...

Reviews

Royal Ballet – Titian 2012: Machina, Trespass, Diana & Actaeon – London

Seeing the programme twice confirmed my initial impression that Trespass is the best-wrought work. The other two ballets are interesting as concepts rather than as polished productions. But the programme’s emphasis on creativity and collaboration means that Monica Mason’s farewell contribution to the art form in which she has invested her considerable energy will carry on germinating ideas long...

Reviews

Paris Opera Ballet – La Fille mal Gardee – Paris

Ould-Braham had just been made étoile and her performance seemed, to me, buoyed by an extra layer of joy and happiness. Hoffalt was completely at ease in both technique and characterization. When they celebrated their wedding onstage, the audience went crazy.

Reviews

Paris Opera Ballet – Giselle – New York

The arrival of the wilis takes one’s breath away. Not only are they individually beautiful, with their soft port-de-bras and milky-white shoulders, but they are all eerily the same, in every way: same size, same build, same arms, same tilt of the head, same gaze, same feet.

Reviews

New Movement Collective – Casting Traces – London

Half-hidden behind pillars or leaning against brick walls were isolated figures in Tyvek paper suits, nursing private angst, waiting their turn to claim our space. Sometimes only the dancers’ coloured outfits distinguished them from disoriented white-clad spectators, dazzled by beams of light.

Selective News Items

Royal Ballet: Promotions, joiners and leavers for the 2011/12 season

For Immediate Release The Royal Ballet’s Ryoichi Hirano and Alexander Campbell have been promoted to First Soloists in the recent Company promotions. Ryoichi, 28 from Japan, joined The Royal Ballet in 2002 and was promoted to Soloist in 2008. Sydney-born Alexander, 25, joined the Company as a Soloist at the beginning of this season . Congratulations also go to Beatriz Stix-Brunell, Claire...

DanceTabs Contributors

DanceTabs Tweets