Gallery by Stephen Wright...
Archive - 2016
★★✰✰✰ So bravo for Danilian. All the dancing at the gala was very fine – who could expect any less from these dancers? One can (and should) question his taste but it’s clear that he’s willing to go out on a limb...
★★★✰✰ The 10 dancers who graced the Joyce stage represented a powerhouse of talent and technique, on par with some of the best dancers at much larger companies - BalletX is worth checking out.
Gallery by Foteini Christofilopoulou...
★★★✰✰ The bending of gender stereotypes seems to be a trend in Indian dance right now, and an interesting one...
After a successful season of Patrick de Bana’s Jane Eyre, back in 2013, Shanghai Ballet returns to the London Coliseum with the same choreographer’s Echoes of Eternity - we catch up with the stars of it - Wu Husheng and Qi Bingxue.
Gallery by Foteini Christofilopoulou...
Singapore based Frontier Danceland recently held their 2016 Dancers' Locker - A platform for company artistes to experiment and develop their potential as choreographers. Stephen Wright was there to photograph for us...
★★★✰✰ The Sarasota dancers, who do so much Ashton, truly understand the style. As the evening progresses, one feels it more and more.
★★★★✰ The great pleasure of Alexei Ratmansky’s version of Vasily Vainonen’s 1932 ballet is the cornucopia of steps to which both choreographers had access: danse d’école, folk and character dances, as well as expressive acting.
★★★✰✰ NIJINSKI neatly lassos this altogether using Goecke’s avant garde movement style ...to give the Stuttgart audience an abstract impression of Nijinsky’s life and contribution to Diaghilev’s Ballets Russes.
Gallery by Dave Morgan...
★★★★✰ The performers need the sharpest of reactions to deal with the unexpected, negotiating routes through bemused and bedazzled spectators.
★★★✰✰ Maillot’s ballet... belongs to Krysanova and Lantratov, who succeed in conveying that Kate and Petruchio are wildly, equally in love, however crassly they treat each other...
Gallery by Dave Morgan...
Gallery by Foteini Christofilopoulou...
★★★✰✰ Every choreographer has their voice, and if Wheeldon’s current oeuvre satisfies you then this will too, but don’t expect a significant departure.
5 Questions to Emio Greco, choreographer and director of Ballet National de Marseille (with Pieter C. Scholten) on their "Body.Dance.Nation.City" which is being presented at London's Southbank Centre later this week - 5-6 August 2016
★★★✰✰ According to the programme notes for Yuri Grigorovich’s 2001 account of Swan Lake, his Prince Siegfried is a ‘ballet Lohengrin’ – a Knight of the White Swan. The production is all about him.
★★★★✰ Natalie Weir's "We who are left" is nothing less than a knockout.





