36 pictures by Dave Morgan...
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I’m not yet fully convinced of the wisdom of New York City Ballet’s thematic seasons, organized around the music of a single composer....
English National Ballet is pleased to reveal details of its new rebrand, which includes an exciting collaboration with designer Vivienne Westwood, in a creative brand campaign for 2013.
This is not by any means a DVD for casual viewing, but for the serious student of ballet it provides a concise and fascinating understanding of the key components of Romantic Ballet, hugely enhanced by the opportunity to see a group of restaged dances from that era that have not been seen before...
The Mariinsky Ballet’s annual Baden-Baden tour is something of a balletomane’s winter retreat and, with mild weather to boot over Christmas, provided yet another opportunity this season to catch up with the St. Petersburg company.
Eiko and Koma are now in their sixties. What stays with you is the image of those bodies, tormented, trembling, vulnerable, but ultimately indestructible.
Gallery – Miami City Ballet in Liam Scarlett’s Euphotic
Dance is a difficult thing to experience outside of the theatre, but for the sustainability of the artform it has to find a way to make itself more widely available.
It’s not every day Petipa’s carefree Don Quixote comes with a health and safety warning. ...Injuries played havoc with the casting throughout November and December...
...it’s that ambiguity in their performances — the tension between seriousness and satire — that makes the company such a joy to watch.
Lynette Halewood with her personal selection of London dance memories this last year...
The festival was as intensive as ever, with three performances running on seven days, four on one day, some concurrently. The range and quality of dance overall was impressive.
Five Questions for Assis Carreiro on taking over as Artistic Director of the Royal Ballet of Flanders...
City Contemporary Dance Company’s closing show of 2012 was a welcome revival of Helen Lai’s 2004 The Comedy of K, a seminal work which shows this celebrated choreographer at the height of her powers.
Gudrun Bojesen, the Royal Danish Ballet's leading classical ballerina, is at an interesting stage of her career...
It's the Royal Ballet's varied and unique repertoire that has kept me loyal to the company through some very thin times as well as the golden seasons, and this programme is a nice example of what a flick through its back - catalogue can produce.
This new production of Nutcracker is ambitious with a complicated but intelligent libretto which makes a welcome change for the audience.
27 pictures by Sunkyung Jang
The middle piece, O Zlozony/O Compsite, is a beautiful work by Trisha Brown, made for the company in 2004. Bizarely it always reminds me of Ashton's Monotones...
I always enjoy The Hard Nut even though there isn’t a lot of choreography.