★★★★★ With Marianela Nunez and Vadim Muntagirov... Theirs was a performance that caught up everyone in the sheer pleasure and excitement of spectacular dancing.
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★★★✰✰ I was thrilled to see Snowblind returning. It was by far my favorite offering of last year’s Unbound Festival because it captivates on every level: potent storytelling, emotive choreography, fitting design tropes and deep character development.
★★★★✰ Papaioannou weaves in many references to Bausch’s work and deliberately asks us to find them, the work is fuelled by his love for her. But he also invites us to move on from the nostalgia trip.
★★★✰✰ There was virtually nothing to fault with "In the Night" on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled
★★★★✰ - Royal Ballet School in Liam Scarlett's new Cunning Little Vixen. ★★✰✰✰ - Royal Ballet's Yasmine Naghdi debut in Two Pigeons.
We talk to Mark Morris about Pepperland, his exuberant celebration of The Beatles ground-breaking album Sgt. Pepper’s Lonely Hearts Club Band, touring the UK and Ireland for six weeks in March and April.
Gallery by Foteini Christofilopoulou...
★★★★✰ A triple bill joining George Balanchine’s Divertimento No. 15, the San Francisco Ballet premiere of Benjamin Millepied’s Appassionata and Justin Peck’s Hurry Up, We’re Dreaming.
★★★✰✰ Once a year Sadler’s Wells puts on Sampled, a pick and mix of the types of dance you might see at the venue. The front stalls seats are taken out, and standing in that area is only a fiver, with cheap tickets in general.
★★★★✰ The choreographer Camille A. Brown has a rare talent – the ability to make you understand a situation or state of mind through dance.
Foteini Christofilopoulou photographs Sadler’s Wells Sampled - featuring Uchenna Dance, Mavin Khoo, Semperoper Ballett, Rambert2, Patricia Guerrero and BirdGang.
★★★✰✰ Major draws were the new Justin Peck and a revival of William Forsythe’s 1992 commission Herman Schmerman, not seen in full since the 90s...
★★★✰✰ Choreographed juggling is by definition a one-trick pony although in the hands of Gandini Juggling, inspired by the imaginative choreography of Alexander Whitley, the potential of that artform appears limitless.
Marina Harss talks to a legend about another legend and the greatest classical choreographer of them all - Marius Petipa. Full of interesting insights...
★★★✰✰ One of the earliest things I appreciated about Balanchine is that he made me feel okay about liking Tschaikovsky (as NYCB likes to spell it)...
★★★★✰ The stand-out moments in this show came in dynamic bursts of extraordinary movement in which the form of propulsion seemed to be any part of the body but the feet.
★★★✰✰ The piece is strenuous, filled with running and partnering that, at first, verges on violent, and eventually turns rapturous, but never beautiful – De Keersmaeker never cedes to the lure of beauty...
Gallery by Foteini Christofilopoulou...
★★★★✰ This is my second review of Scottish Ballet's Cinderella this winter. Why? Well, it's a production I like and I wanted to see more dancers in it, silly!
★★★★✰ Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.