★★★★✰ The latest offering from New York City Ballet, by Kyle Abraham, is a particularly handsome, intelligent, and well-filmed example of the (made and streamed under Covid) genre.
Tag - Agon
★★★✰✰ The Washington Ballet new program titled Balanchine + Ashton showcased four works by the two great choreographers, who “forever shaped our art form,” as the company’s artistic director, Julie Kent, put it in her opening remarks.
★★★★✰ 'Spellbound' delivered in every regard – opulent grandeur, terrific people watching and above all, marvelous dance.
★★★✰✰ The fascination with ballet is strong in Forsythe. After years of creating a form of dance theater in Germany, he has returned to his classical roots with a renewed energy.
★★★★✰ Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.
★★★★✰ There has been a generational shift at New York City Ballet, that much was clear last night in a program of Stravinsky ballets that included two major débuts and several smaller ones...
★★★✰✰ It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.
★★★✰✰ Semperoper's dancers distort the classical ballet line more than the Paris Opera Ballet's (or ENB's) and don't bother much with fifth positions or precise épaulement for Forsythe's endless tendus. They seem contemporary dancers rather than étoiles being outrageous.
★★★★✰ The centenary celebration bills are more than enough to give a sense of Robbins' breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.
★★★✰✰ One of Robbins’ great talents was sniffing out the style of his time, but this inevitably places a date stamp on his work.
★★✰✰✰ Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere...
★★★★✰ Dutch National Ballet's Dutch Doubles quad bill features 3 new works by Annabelle Lopez Ochoa, Ernst Meisner and Wubkje Kuindersma plus a classic piece, new to the company, from the legend that is Hans van Manen.
★★★✰✰ Like Walker’s first work for the company "Dance Odyssey" shows a lot of promise. It has warmth and humor, a good grasp of stage geometry and a sensitive musicality.
★★★★★ As artistic director of her own troupe, Farrell was able to take her devotion to Balanchine and her aspiration to promote and preserve his legacy to a new level. For nearly 20 years, Washington audiences have enjoyed an annual mini-festival of Balanchine’s works...
★★★★✰ The oldest piece on the program is Wheeldon’s Polyphonia. Made in 2001, it has stood the test of time. Just last week it was performed at the Fall for Dance festival...
★★★★✰ An outstanding bill in showing Hans van Manen's work for three companies and its rich contemporary diversity - it all looks so fresh and of today.
★★★✰✰ It’s a shame that the company didn’t choose to revive some Wheeldon rarities from its back catalogue...
★★★✰✰ Over two years after her retirement from New York City Ballet, Wendy Whelan remains a sight to behold.
★★★✰✰ Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.
★★★✰✰ Multiverse: McGregor and his dramaturg may know what they want to convey about life and the universe(s) but despite the dancers’ efforts, the result is baffling.