★★★★★ Though the concert was a treat, could the Royal Opera House please try raising our spirits in future streamings, and give the Royal Ballet the prominence it deserves.
Tag - Anthony Dowell
The Royal Ballet's Vadim Muntagirov talks about making the most of lockdown and getting ready to dance again for the Royal Opera House's Live from Covent Garden transmission on Saturday night (20 June 2020), where he is dancing Ashton's seldom-seen "Dance of the Blessed Spirits"...
★★★✰✰ The Washington Ballet new program titled Balanchine + Ashton showcased four works by the two great choreographers, who “forever shaped our art form,” as the company’s artistic director, Julie Kent, put it in her opening remarks.
★★★★✰ The dancing is so enjoyable, the comedy so appealing, that any flaws in the story telling are easily overlooked.
★★★✰✰ Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.
This years Yorkshire Ballet Seminars take place from 13 July to 2 August 2019 – time for a word with Director Iain Mackay about what makes them so special and his plans…
★★★★★ As someone who cries easily, it’s a wonder that Manon remains a favorite ballet of mine... Misty Copeland and Cory Stearns were passionate and persuasive in their respective roles as Manon and Des Grieux.
Meaghan Grace Hinkis, the Royal Ballet soloist, is about to make her debut as Vera in Frederick Ashton’s “A Month in the Country”. 5 quick questions about that and her dancing life…
★★★✰✰ There was virtually nothing to fault with "In the Night" on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled
★★★★✰ The entire cast is committed to the MacMillan idea of everyone having their own character and story, and the result is a richly detailed picture of the conflicts between poverty and wealth, love and lust.
Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.
★★★✰✰ If The Unknown Soldier is dispiritingly low-key, Wayne McGregor's Infra remains assertively bold...
★★★★✰ The partnership in Mayerling between Morera and Bonelli is a fine example of how experience can illumine the nuances of a dramatic ballet.
★★★✰✰ A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.
★★★★✰ It’s been a very enjoyable homage to Robbins’s versatility...
★★★★★ Liam Scarlett has devised a visual and emotional treat for audiences, fully justifying Kevin O'Hare's faith in him as a director and choreographer.
★★★✰✰ Piggy in the Middle is, in part, Edmonds' tribute to Kenneth MacMillan, the 25th anniversary of whose death has been marked during the Royal Ballet’s 2017/2018 season.
The Metropolitan Opera in New York staged "Le Rossignol" in December 1981 as part of a programme commemorating the hundredth anniversary of Stravinsky’s birth... the producer was John Dexter. He told Ashton, back in London, that he could choreograph two dancers as the Nightingale and the Fisherman on stage, while the roles would be sung by opera singers in the orchestra pit...
★★★★✰ It was a well-balanced programme, featuring different kinds of discipline for future corps de ballet dancers, and honouring veteran choreographers as well as contemporary ones.
★★★★✰ In Marguerite and Armand the 3 casts reviewed are Zenaida Yanowsky and Roberto Bolle, Alessandra Ferri and Federico Bonelli, Natalia Osipova and Valdimir Shklyarov.