★★★★✰ The 2021 Royal Ballet School Summer Show, on the Royal Opera House Main Stage, was a different affair to normal with many of the White Lodge Junior School students physically absent because of Covid restrictions. But there was much to celebrate and lots of new work on display too...
Tag - Ashley Page
The intention of this wide-ranging guide is to "tell all" about ballet from training through to life in a professional company. Jann Parry with a thoughtful overview of the detail it covers...
★★★★✰ The choice of works emphasised ensembles more than individuals. It was interesting to see large numbers of young men dancing together, as well as a more usual female corps de ballet.
★★★★✰ The show overall gave us a good slice of what ballet is in 2019, and just how adaptable the students need to be these days - exciting times for them and exciting for us in the audience as well.
★★★★✰ Royal Ballet School at the ROH Young Talent Festival with a mixed bill of over 10, new and old works...
★★★✰✰ Images has done an excellent job of commissioning appropriate, innovative choreographers, allowing the company to exceed their expectations...
★★★★★ It must be tempting to get carried away by sentiment when it comes to celebrating both a 70th birthday and fifty years as a choreographer in a programme that also marks the departure of a special muse.
★★★★✰ A charming, uplifting ballet that truly sets the scene for Christmas. A large part of the heart-warming effect was Darrell’s decision to populate the stage with children...
She found that she came back to perform with the company she left five years ago with a different approach. ‘I know more about why I love to perform...'
★★★✰✰ "But despite his high concept, Scarlett seemed to lose the thread halfway through, resorting to lascivious theatrics to complete the work..."
By the end, I felt our journey of discovery had involved driving down one of those long, straight, interminable cross-American highways, with nothing but the same prairieland in view.
While some of the views expressed may not chime with your own, the fascination of this book is to understand how contentious maintaining and developing ballet as vibrant theatre often is.
Christopher Hampson's production, set to Engelbert Humperdinck's 1893 opera score, dances round traditional perceptions of good and evil, raising sinister notions about the invisibility of danger lurking in the real world.
There are many stand-out moments in Marshall’s work, in its humour, visual impact and through the regular break-away from the spoken text in synchronised group dancing to catchy tunes of a middle-eastern, gypsy or Yiddish style...
Music is always my anchor. I can’t work without a very solid musical base. The lion’s share of the work I’ve made over the years has been music-led and the primary instigator in Subterrain is the Turnage music.
The performance was sold out and very warmly applauded and I hope the Festival authorities will take notice, and schedule a similar programme in future years.
Possokhov’s Rite of Spring is a mixture of mostly good choices with a few that seem rather odd to me.
San Francisco’s second programme was better balanced than the first, with contrasting works created for the company within the past two years.
Aimée Tsao, watching San Francisco Ballet for over 35 years now, with a general primer on the company and some thoughts on the repertoire they are bring to London in September 2012...
That said, the narrative is graphic and gripping. Scottish Ballet’s dancers prove themselves dramatic actors in supporting roles as well as principal ones....