★★★✰✰ Birmingham Royal Ballet's latest bill, Carlos Curates: R&J Reimagined, had the company dancing in Edward Clug's Radio and Juliet (★★✰✰✰) and presenting Rosie Kay Dance Company in their new Romeo + Juliet (★★★★✰)
Tag - Birmingham Hippodrome
Both the Royal Ballet and Birmingham Royal Ballet are opening their 2021/22 seasons with the same ballet - Kenneth MacMillan's Romeo and Juliet. Jann Parry takes a look at how one of the most admired narrative ballets of the 20th century came to be and details of the many dancing debuts we can look forward to...
★★★✰✰ All up this is a most thoughtful and involving R&J for our time, one that with some dramatic honing will have a long life and which can speak powerfully to both new and old audiences. It's a dance of consequence, as ever, from Rosie Kay.
Rosie Kay’s new and radical take on "Romeo + Juliet" gets premiered on the 8 September at the Birmingham Hippodrome. Foteini Christofilopoulou with a heads-up & special shoot direct from the dance studio.
★★★★✰ It's been a long time since I've seen a piece of dance theatre quite so moving and thought-provoking as Adult Female Dancer.
★★★★★ That BRB managed to get this on at all is a small miracle - and the undiminished determination with which the dancers attack their work inspires passion in us all.
★★★★✰ "Ultimately both versions of "Soldiers" have the same impact of sending you home aware of the sacrifice involved and proud of what the military does."
Marston has been working at Northern Ballet creating Victoria for the company (premiere this month) and we wanted to find out more, also catch up on other commissions and discuss just how she works creatively and manages to juggle it all so effortlessly…
★★★★✰ I look forward to the changes inevitably coming to BRB, but I can't believe any new director will turn their back on such repertoire gems as La fille mal gardee and their Peter Wright Nutcracker.
Next month (March 2018) Ballet British Columbia, or Ballet BC as they are commonly known, tour the UK. Diane Parkes talks to artistic director Emily Molnar about the company and the works they are touring which includes a piece by the ultra-hot Crystal Pite...
★★✰✰✰ Bintley’s ‘Still Life’ at the Penguin Café saves a dispiriting evening by providing nimble demi-character dancing with a timely message, first delivered nearly 20 years ago.
★★★✰✰ I went to Bristol to catch Coppelia and the specific lead casting of Celine Gittens and Tyrone Singleton - who have now totally transitioned from being rising stars to fully risen Principals.
★★★✰✰ The South tour is particularly interesting this year because it features a new piece by Ruth Brill, a first artist within the company, and this is her first major commission.
★★★✰✰ Peony Pavilion has become a signature work for the National Ballet of China and it’s easy to see why it has come back.
Gallery by Dave Morgan...
★★★✰✰ In a nutshell Bintley's Tempest is a visual triumph but feels slight choreographically and you'd be well advised to mug up on the story before seeing it.
David Bintley, director of Birmingham Royal Ballet, is a prolific choreographer and just about to unveil his latest full evening work - The Tempest. Graham Watts went to talk to him about a work, that after 30 years of consideration, has found its time and proper custom score...
★★★✰✰ Jessica Lang's Wink is an attractive piece, well designed and well made with a clear structure.
Birmingham Royal Ballet: Taming of the Shrew (Birmingham) and Northern Ballet: Jane Eyre (Leicester)
★★★✰✰ for BRB's troublesome fun packed Taming of the Shrew and ★★★★✰ Northern Ballet's Jane Eyre with Hannah Bateman in the lead...
Gallery by Dave Morgan...