Acosta Danza – Up Close bill – London
★★★✰✰ This was indeed a case of Up Close and personal with five intimate pieces variously dosed with Cuban fire and flair…
Gallery – Acosta Danza in Up Close: Mundo Interpretado and Two
Gallery by Foteini Christofilopoulou…
Some Memorable Performances of 2019 – London
Lynette Halewood with some reflections on London dance performances over the last year – the good and the less good…
Acosta Danza – Evolution: Rooster, Faun, Satori & Paysage, Soudain, la nuit – London
★★★★✰ It’s thrilling to see the building confidence of Carlos Acosta’s Cuban-based dance company. There’s a sense of cohesion, shared purpose and a unique identity drawn from a vibrant range of influences.
Birmingham Royal Ballet – Giselle – London
★★★★✰ …exemplary performances from Momoko Hirata as Giselle and César Morales as Albrecht make for a richly rewarding and moving experience.
Birmingham Royal Ballet – [Un]leashed: Lyric Pieces, Sense of Time, Peter and the Wolf – London
★★★✰✰ Overall, invigorating; a demonstration of the company’s healthy enthusiasm for innovation and playing with the form…
Birmingham Royal Ballet – Seasons in our World, Peter and the Wolf – Cheltenham
★★★✰✰ Bintley feels strongly about tradition (much more so than most other directors) and the commissions are his way of saying what’s important and passing that baton on.
Carlos Acosta splendidly summed up as he collects his Critics’ Circle Services to the Arts award
I was at the recent Critics’ Circle lunch when Carlos Acosta won his latest award and was struck by Graham Watts citation – it seemed to splendidly sum up Carlos, both the man and his illustrious career… and why exactly we all admire him. BM, Ed.
Russian Ballet Icons Gala 2019 – London
★★★✰✰ The annual Ballet Icons gala, now in its 14th year, aims to promote Russian culture while providing a Sunday evening’s entertainment for Russians in London and ballet-lovers…
Royal Ballet – Don Quixote – London
★★★★★ With Marianela Nunez and Vadim Muntagirov… Theirs was a performance that caught up everyone in the sheer pleasure and excitement of spectacular dancing.
Interview: Mayara Magri, First Soloist, The Royal Ballet
Jann Parry talks to the recently promoted Mayara Magri at an important time – she is about to make her debut as Gamzatti in The Royal Ballet’s production of La Bayadere – her first major and leading role in the company she joined 6 years ago…
Carlos Acosta and Acosta Danza – Carlos Acosta: A Celebration bill – London
★★★✰✰ There was a lot here to enjoy. This may have been a celebration of three decades in dance, but there was no nostalgia here…
Carlos Acosta – Dancer, Directer, Choreographer: ‘I am a man on a mission – I always have been’
“That’s what it’s always been about for me – the necessity to connect with an audience and express myself.”
Yacobson Ballet – Don Quixote – St. Petersburg
★★★★✰ Kobborg has deconstructed the work; mixing up the narrative’s building blocks before reassembling them in a masterpiece of balance that remains recognisably traditional but is also refreshingly new.
MacMillan Celebrations – The Judas Tree (RB), The Song of the Earth (ENB) – London
★★★★✰ The second programme commemorating the 25th anniversary of Kenneth MacMillan’s death revealed his very different responses to music, and to human nature.
Acosta Danza – Debut bill – London
★★★✰✰ Belles-Lettres – a piece by NYCB’s Justin Peck, reworked for Acosta Danza – is a sweepingly pretty pieces for nine dancers, all floaty, gorgeous frocks and increasingly impassioned duets…
Russian Ballet Icons Gala – In the steps of the Ballets Russes – London
★★★★✰ The long gala (three and a half hours with one interval) was well organised, with no speeches and no protracted curtain calls.
Memorable Performances of 2016 – London
Lynette Halewood with her personal selection of London dance memories from the past year…
Carlos Acosta – The Classical Farewell – London
★★★★✰ “Thank you, Carlos,” boomed one audience member as Acosta ended his performance by changing out of his dance gear, sitting meditatively on stage…
