★★★★✰ Thirty years after its creation, In the Upper Room is still the ultimate Twyla Tharp piece, an expression of American dynamism and New York style.
Tag - Christine Shevchenko
★★★★★ To my eye, this Harlequinade may be the most well-rounded of Ratmansky's historically-minded stagings of Petipa.
★★★✰✰ The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.
★★★★✰ After a week of Giselle, during which Natalia Osipova and David Hallberg had their much-awaited re-match, the company began its season in earnest on May 21, with a spring gala that included two new works and excerpts from a third...
★★★✰✰ The program opened and closed with the most recent works: Jessica Lang’s Her Notes and Alexei Ratmansky’s Serenade after Plato’s Symposium. Both premiered at ABT in 2016, and both are works whose inspiration largely comes from their scores.
★★★✰✰ In between the speeches and the short films came the dancing. The main attraction was the new Ratmansky work, Songs of Bukovina...
★★★✰✰ It’s intriguing to see pas de deux that are clearly conceived from a woman’s point of view.
★★★✰✰ Ratmansky’s Souvenir d’un Lieu Cher turned out to be a mysterious little ballet, a double pas de deux that captures, ...the complex history of a quartet of characters.
American Ballet Theatre Giselle ★★★★✰ New York, Metropolitan Opera House 26,27 May 2017 www.abt.org Giselle Fever Like Swan Lake, Giselle is a centerpiece of the ballet repertoire; American Ballet Theatre performs it almost every spring season, for good reason. The company’s production is handsome and a bit shopworn, with sets by Gianni Quaranta that were originally designed for the 1987 film...
★★★★✰ Making her debut in the role of Odette/Odile 28-year-old soloist Devon Teuscher emerged as a shining star in American Ballet Theatre’s Swan Lake at the Kennedy Center Opera House last week.
★★★★✰ A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.
★★★✰✰ I was eager to see American Ballet Theatre’s Sleeping Beauty, mounted by Alexei Ratmansky last year, because of the enthusiastic reviews it has received in the United States. The Paris premiere, however, met with muted acclaim...
★★★✰✰ Murphy is a sensual Odette, something made all the more effective by Stearns’ tenderness.
★★★✰✰ Le Corsaire, a ballet loosely based on Lord Byron’s poem about a chivalrous pirate, has more action than the latest Bond film. There are pirates! Abductions! Beautiful women in distress! The list goes on and on...
★★★✰✰ Shostakovich Trilogy is a rich work, containing too much to take in at a single sitting. It reveals some of its secrets, but not all.
More from ABT's run of Ashton's "Sylvia" - the time Marina Harss reviews Maria Kochetkova and Herman Cornejo...
★★★★✰ "Ratmansky’s new staging is a Beauty like you have never seen before: it uncovers the original ballet’s genuine beauty, which faded over the years under the clutter of modern revisions."
The American Ballet Theatre season continues with Giselle where Marina Harss saw Stella Abrera's company debut. The response to the performance was understandably enthusiastic.
No-one could fail to be impressed by the versatility of ABT’s dancers and by the diverse repertoire they brought. They did themselves, their company and their country proud.
Throughout the Bach Partita, Tharp’s movement is technical, precise, and highly articulated. As with Balanchine, the bodies are always distinct, framed in space.