★★★★✰ The program opened with one of Justin Peck’s best pieces in years, Partita...
Tag - Claire Kretzschmar
★★★★✰ The latest offering from New York City Ballet, by Kyle Abraham, is a particularly handsome, intelligent, and well-filmed example of the (made and streamed under Covid) genre.
★★★✰✰ Come hell or high water, George Balanchine’s The Nutcracker will return to New York City Ballet, filling the theatre night after night. Balanchine made a ballet built to last, and it has not disappointed.
★★★★✰ The company seemed to be dancing with a special ferocity, as if to prove its worth and convince the world that this enterprise is, indeed, worth preserving and saving.
★★★✰✰ Bouder's pick-up ensemble of eight, which she refers to as an arts collaborative, reflects her ideals. It is racially diverse; the choreographers include both men and women. Not all the choreographers are white. This should be par for the course, but it’s not.
★★★★✰ After much tumult over the holidays, New York City Ballet has begun its first post-Peter Martins season. If you’re just catching up, the company’s “ballet master in chief” – ie artistic director – of over thirty years retired on New Years Day, in the midst of an investigation into allegations of physical abuse and sexual harassment.
★★★✰✰ Justin Peck is the it-boy at New York City Ballet, and it’s not hard to see why. At only 29, he has racked up an impressive number of ballets...
★★★✰✰ More than anything, Peck's "The Times are Racing" reminded me of the movie Rebel Without a Cause. These kids are uneasy, but what is the object of their unease?
★★★★✰ Divertimento’s aura still shines; you want to see it again, to figure out its fluid, almost magical transitions. It’s a shame it will only be performed four times this season; it takes more than that for the audience, and the dancers, to really get to know it.
Troy Schumacher, a dancer at New York City Ballet as well as a choreographer and founder of the chamber dance company Ballet Collective, is a determined soul...
Jeux, has a distinctly adult atmosphere and a highly cinematic look. Actually, the look might be the most interesting thing about it...
Nobody surpasses New York City Ballet in sleekness and urbanity. The company is like a glistening skyscraper: sharp-edged, diamantine and, sometimes, a little cold...
In recent seasons New York City Ballet has gotten into the habit of starting things off with a week or two of Balanchine. It’s an excellent idea.
Year after year, I see Balanchine’s Nutcracker, and year after year I marvel at its perfection. This year it turns sixty.
Troy Schumacher's BalletCollective company is a work in progress and unusually has a resident writer, Cynthia Zarin. Marina Harss, at New York's Skirball Center, sees where they are all at...
I think it's safe to say that neither of the new works knocked the planet off its axis...