★★★★✰ The production is in good hands and in good shape, as audiences will see when it is screened in cinemas worldwide.
Tag - Edward Watson
Features Anna Rose O'Sullivan and Marcelino Sambé being coached in the studio by Leanne Benjamin and Edward Watson. A special photoshoot at the Royal Ballet by Foteini Christofilopoulou...
★★★✰✰ The latest Royal Ballet premiere is a full evening ballet from Wayne McGregor, using a cracking custom score from Thomas Adès...
Gallery by Foteini Christofilopoulou...
★★★★✰ Kevin O'Hare, director of the Royal Ballet, came on stage to welcome the return of a paying audience for what turned out to be the opening and closing live performance of the season...
The entire Royal Ballet were back on stage and performing for a live audience last Friday in a gala style show which was/is also streamed. Jann Parry was mightily impressed with the dancing and repertoire (★★★★★) if not so much with the live audience experience in a Covid aware Opera House (★★★✰✰)
★★★★✰ Despite Covid-19 English National Ballet still ran their unique Emerging Dancer Competition and streamed the night in full to fans. The 2020 winner is Ivana Bueno - "Very evidently a talent to watch", says Jann Parry.
★★★✰✰ Wayne McGregor’s first full-length creation for the Royal Ballet, Woolf Works, inspired by Virginia Woolf, remains one of his best works to date.
★★★★✰ Osipova inhabits the role of Anna Anderson with gruelling sincerity. She appears deranged from the beginning with close-up camera angles revealing a depth of despair that is tremendously affecting.
Lynette Halewood with some reflections on London dance performances over the last year - the good and the less good...
★★✰✰✰ There was certainly some spectacle and some good dancing, and not just from the big stars. However, the most heavily promoted piece and world premiere was an excruciating fifteen minutes of disappointment...
★★★✰✰ Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.
★★★★✰ The Royal Ballet did themselves a lot of good with the last new bill of the season - a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.
★★★★✰ Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.
★★★✰✰ The annual Ballet Icons gala, now in its 14th year, aims to promote Russian culture while providing a Sunday evening's entertainment for Russians in London and ballet-lovers...
★★★★✰ Osipova is lethally orgasmic... Never has MacMilllan's choreography for the death duet seemed so astounding as in her account of it.
★★★★✰ McGregor’s company dancers (in Bach Forms) brought a surging energy, buoying up jewel-like moments from the Royal Ballet stars...
★★★✰✰ The good news is that Queen of Spades is a good-looking crowd pleaser and the RDB dancers look fantastic in it - I can't emphasise that enough. Also good that it's a step up from his last commission, Frankenstein - thank goodness, really.
★★★★✰ The ostensible link between the three works in this mixed bill is that they are by the Royal Ballet's resident choreographers, past and present: Frederick Ashton. Kenneth MacMillan and Wayne McGregor. But none is typical of the choreographers' work...
Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet...