★★★★✰ The grand pas de deux was the triumphant highlight of the fairytale festivities. Hay expressed the prince’s pride and pleasure in his variations; Takada was demure and regal in hers...
Tag - Frederick Ashton
Lynette Halewood with her personal selection of London dance memories from the past year...
Marina Harss with her personal selection of New York dance memories this last year...
★★★✰✰ If you remember the 1948 film, the plot is easy to follow. If you don’t, and can’t pick up the references to ballets, a printed scenario would be helpful, as would job-descriptions of the characters...
One of the leading interpreters of Kenneth MacMillan’s dramatic ballets Viviana Durante's leaving of the Royal Ballet at the height of her powers was a sad loss to London, if the gain of those who saw her perform elsewhere all around the world. Well now she's back at the Royal Opera House, this time to coach MacMillan's Anastasia, which is where Jann Parry caught up with her...
★★★★✰ A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.
Gary Harris has had one of the most varied ballet careers you can get... dancer, teacher, ballet master, artistic director, designer and notator. Now he's working with the Royal Ballet to bring back Kenneth MacMillan’s Anastasia - Jann Parry went for a chat.
★★★✰✰ Bintley has treated Shakespeare’s drama as a masque, full of spectacle, music and dancing, with elusive characters that are more allegorical than realistic. It doesn’t work as a narrative ballet because the sub-plots are too complicated...
★★★✰✰ “Hi! I am Julie Kent, artistic director of the Washington Ballet.” Looking ravishing in her long strapless slivery-white gown, her hair immaculately styled, the new director of the Washington Ballet introduced herself to the audience of the fully-packed Eisenhower Theater...
★★★✰✰ In a nutshell Bintley's Tempest is a visual triumph but feels slight choreographically and you'd be well advised to mug up on the story before seeing it.
★★★★✰ “Thank you, Carlos,” boomed one audience member as Acosta ended his performance by changing out of his dance gear, sitting meditatively on stage...
★★★★✰ Early arrivals for the opening night of the Royal Ballet’s autumn season could watch Peregrine the pony being escorted to the stage door in readiness for his role in La Fille mal gardée...
★★★✰✰ One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.
Yuhui Choe and Valentino Zucchetti cast. Gallery by Dave Morgan.
David Bintley, director of Birmingham Royal Ballet, is a prolific choreographer and just about to unveil his latest full evening work - The Tempest. Graham Watts went to talk to him about a work, that after 30 years of consideration, has found its time and proper custom score...
★★★✰✰ I was eager to see American Ballet Theatre’s Sleeping Beauty, mounted by Alexei Ratmansky last year, because of the enthusiastic reviews it has received in the United States. The Paris premiere, however, met with muted acclaim...
His is an insider’s account, complete with waspish comments and cameos of the famous people he encountered...
★★★✰✰ The Sarasota dancers, who do so much Ashton, truly understand the style. As the evening progresses, one feels it more and more.
L.A. Dance Project Harbor Me, Marth Graham duets (White, Star, Moon), Helix, On the Other Side ★★★✰✰ New York, Joyce Theater 27 July 2016 www.ladanceproject.com www.joyce.org LA Story Since his quick exit from the Paris Opera Ballet, the choreographer and former director Benjamin Millepied has recommitted himself to the small Los-Angeles-based company he founded in 2012, L.A. Dance Project. The...
★★★✰✰ ...the production lurches between down-to-earth Aussie niceness and the designer’s European conceits...