"Hansel and Gretel" tag
Uchenna Dance in Hansel & Gretel.© Foteini Christofilopoulou. (Click image for larger version)

Uchenna Dance – Hansel & Gretel – London

★★★✰✰   Vicki Igbokwe’s bold dance retelling of the classic fairytale Hansel and Gretel has a sense of playfulness at its heart, and something of a political message for adults to chew on too.

Corey Claire Annand in Stepmother.© Stephen Wright. (Click image for larger version)

Arthur Pita & HeadSpaceDance – Stepmother / Stepfather – London

★★★★✰   Those of a nervous disposition, look away now. The dark, twisted inventiveness of Arthur Pita runs riot across this double-bill of bad parenting, sweeping up murder, suicide, incest and a little light cannibalism as it goes.

Dew Drop fairies in Hansel and Gretel.© Andy Ross. (Click image for larger version)

Scottish Ballet – Hansel and Gretel – Glasgow

★★★★✰   …a great communal effort by the whole company and one that stretches out to embrace kids in the cities it plays to – showing new generations how relevant and effortlessly entertaining ballet can be.

Sophie Martin for David Dawson's new Swan Lake for Scottish Ballet.© David Eustace. (Click image for larger version)

Scottish Ballet Unveils Ambitious 2016/17 Programme – Company Premieres from David Dawson and Crystal Pite

Press Release: 15 Jan 2016 www.scottishballet.co.uk Scottish Ballet Unveils Ambitious 2016/17 Programme Building on a prolific period of creativity, Scottish Ballet sets out an ambitious programme for 2016/17, continuing to innovate and cultivate…

James Hay.© Andrej Uspenski. (Click image for larger version)

James Hay – Royal Ballet First Soloist

The Royal Ballet’s 2015/2016 season is providing big opportunities for James Hay, promoted to First Soloist in June…

Leanne Cope and James Hay in Liam Scarlett's Hansel and Gretel.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Hansel and Gretel – London

…we get a cleverly staged and very well danced psychodrama, scary both in what we see and what we further imagine. There are, though, two fundamental problems which hold the piece back from complete success.

Dusty Button in William Forsythe’s The Second Detail.© Dave Morgan. (Click image for larger version)

2013 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Sophie Martin and Constant Vigier in Christopher Hampson's Hansel & Gretel.© Andy Ross. (Click image for larger version)

Scottish Ballet – Hansel and Gretel (premiere) – Glasgow

Christopher Hampson’s production, set to Engelbert Humperdinck’s 1893 opera score, dances round traditional perceptions of good and evil, raising sinister notions about the invisibility of danger lurking in the real world.

Leane Cope and Steven McRae in Liam Scarlett's Hansel and Gretel.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Hansel and Gretel – London

It is a mixed experience: too long and overworked in places, a dark vision, unevenly realised, with some striking and chilling moments.

Leanne Cope and James Hay in Liam Scarlett's Hansel and Gretel.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Liam Scarlett’s Hansel and Gretel

Pictures by Dave Morgan…

Scottish Ballet – Hansel & Gretel, and Me in Scotland’s woodlands

If you go down to the woods this spring you’re in for a big surprise as Scottish Ballet’s Hansel & Gretel, and Me project takes over the woodlands of Scotland in advance of the company’s world premiere of Hansel & Gretel later this year.

Christopher Hampson.© Andrew Florides. (Click image for larger version)

Christopher Hampson – Scottish Ballet – Artistic Director

…you are pushing the work of female choreographers – where does that spring from?

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