We quickly catch up with choreographer Ruth Brill about her latest work for BRB, how she creates and what else she is up to... she's a busy bee!
Tag - Justin Peck
★★★★✰ There is a palpable sense of hope among the dancers; again and again, they rise to the occasion. The opening-night program reflected this resilience and gave reason for hope.
★★★✰✰ Liam Scarlett has great taste in dancers. For the 29 March world premiere of Die Toteninsel, his fourth commission for San Francisco Ballet, the British choreographer chose the lyrical and athletic principal Joseph Walsh and soloist Lauren Strongin...
★★★✰✰ Liebeslieder Walzer is one of the most precious of all Balanchine’s ballets; within its fifty-minute span it seems to contain a world of emotion, both profound and infinitely civilized.
★★★★✰ A triple bill joining George Balanchine’s Divertimento No. 15, the San Francisco Ballet premiere of Benjamin Millepied’s Appassionata and Justin Peck’s Hurry Up, We’re Dreaming.
★★★✰✰ Major draws were the new Justin Peck and a revival of William Forsythe’s 1992 commission Herman Schmerman, not seen in full since the 90s...
"That’s what it’s always been about for me – the necessity to connect with an audience and express myself."
★★★★✰ The company seemed to be dancing with a special ferocity, as if to prove its worth and convince the world that this enterprise is, indeed, worth preserving and saving.
★★★✰✰ What will Co.Lab become? I look forward to finding out. Meanwhile, it’s simply encouraging to see these dancers and emerging choreographers create something of their own.
★★★★✰ The centenary celebration bills are more than enough to give a sense of Robbins' breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.
★★✰✰✰ Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere...
"I don’t know if we can make the world a better place, but we can definitely have the audience think about it."
★★★★✰ If Helgi Tomasson was hoping that Unbound: A Festival of New Works would generate heated debate on the state of ballet today, his wish has already been fulfilled just one night into the massive festival...
★★★★✰ One of the most attractive things about the production is the way it brings together various worlds: ballet, Broadway, and opera.
★★★✰✰ Not all, but many pas de deuxs have a romantic subtext, whether intentional or not. But in Rodeo Peck has crafted a pas de deux celebrating introductions and the process of getting to know another person.
★★★★✰ After much tumult over the holidays, New York City Ballet has begun its first post-Peter Martins season. If you’re just catching up, the company’s “ballet master in chief” – ie artistic director – of over thirty years retired on New Years Day, in the midst of an investigation into allegations of physical abuse and sexual harassment.
★★★★✰ The oldest piece on the program is Wheeldon’s Polyphonia. Made in 2001, it has stood the test of time. Just last week it was performed at the Fall for Dance festival...
★★★✰✰ Belles-Lettres – a piece by NYCB’s Justin Peck, reworked for Acosta Danza – is a sweepingly pretty pieces for nine dancers, all floaty, gorgeous frocks and increasingly impassioned duets...
★★★✰✰ At New York City Ballet, the fall fashion gala has become a showcase for work by young choreographers. Each one is paired up with a fashion designer and voilà, it’s an event.
★★★✰✰ Stars and Stripes premiered in 1958, and the Russian emigree demonstrates his affection for the quintessential writer of om-pah music in his adopted country by subverting the common association that marching is all about knee action.