★★★★✰ The annual Icons gala provides the chance to see dancers who don't often appear in London...
Tag - Marcelino Sambe
Lynette Halewood with some reflections on London dance performances over the last year - the good and the less good...
★★★★✰ The Royal Ballet's current production of The Sleeping Beauty, dating back to 2006, is a homage to Ninette de Valois and her faith that Marius Petipa's Imperial Russian ballet should be the flagship of her British company.
★★★★✰ It is all too easy to assume that the first triple bill of the Royal Ballet's autumn season celebrates its creative heritage from the 1960s. In fact, two of the ballets were made for other companies...
★★★★✰ Starwise, Bejart's Wayfarer bumps this program from two stars to four.
★★✰✰✰ I hadn’t seen much of the well-regarded Cuthbertson, so I was looking forward to this chance to get to know her (she appeared in four of five pieces), as well as the not-always-dubious introduction to new works by new choreographers...
★★★✰✰ Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.
The Young Talent Festival at London's Royal Opera House included an important Symposium, hosted by Theresa Ruth Howard, under the title "Exposure, Access and Opportunity: Exploring the Cultural Barriers to Ballet." Deborah Weiss with a comprehensive report on a stimulating event...
★★★★✰ Royal Ballet School at the ROH Young Talent Festival with a mixed bill of over 10, new and old works...
★★★✰✰ A very mixed bill... Sidi Larbi Cherkaoui's Medusa (★★✰✰✰), Christopher Wheeldon's Within the Golden Hour (★★★★✰) and Crystal Pite's Flight Pattern (★★★★✰)
★★★✰✰ The annual Ballet Icons gala, now in its 14th year, aims to promote Russian culture while providing a Sunday evening's entertainment for Russians in London and ballet-lovers...
★★★★✰ Now that we are all one more Nutcracker nearer death, as weary critic Richard Buckle used to bemoan, the Royal Ballet has given us a wintry bonne bouche of ballets to savour.
★★★★✰ Wright's ending is the best ever, preserving the assurance of the Grand pas de deux that the future must surely be blissful.
Featuring Alastair Marriott's new "The Unknown Soldier", Wayne McGregor's "Infra" and Balanchine's "Symphony in C". Gallery by Foteini Christofilopoulou...
★★★✰✰ It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.
Jann Parry talks to The Royal Ballet about what's happening on World Ballet Day this year and just what it means for some of those involved... Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.
★★★★★ Liam Scarlett has devised a visual and emotional treat for audiences, fully justifying Kevin O'Hare's faith in him as a director and choreographer.
★★★★✰ It's a myth that Kenneth MacMillan's Manon was ever regarded as a failure. Critics may initially have had reservations but audiences have enjoyed it from its first season in 1974 throughout its many revivals...
★★★✰✰ Leonard Bernstein wrote (in 1949): "I have a deep suspicion that every work I write, for whatever medium, is really theatre music in some way.' Many choreographers have taken up the challenge, though his quasi-metaphysical musings have usually eluded them: dance is more corporeal than music.
Gallery by Foteini Christofilopoulou...